"Russian Rambles" - читать интересную книгу автора (Hapgood Isabel F.)

II. THE NEVSKY PROSPEKT

The Nevsky Prospekt!

From the time when, as children, we first encounter the words, in geographical compilations disguised as books of travel, what visions do they not summon up! Visions of the realm of the Frost King and of his Regent, the White Tzar, as fantastic as any of those narrated of tropic climes by Scheherezade, and with which we are far more familiar than we are with the history of our native land.

When we attain to the reality of our visions, in point of locality at least, we find a definite starting-point ready to our hand, where veracious legend and more veracious history are satisfactorily blended. It is at the eastern extremity of the famous broad avenue,-which is the meaning of Prospekt. Here, on the bank of the Neva, tradition alleges that Alexander, Prince of Novgorod, won his great battle-and, incidentally, his surname of Nevsky and his post of patron saint of Russia -over the united forces of the Swedes and oppressive Knights of the Teutonic Order, in the year 1240.

Nearly five hundred years later, the spot was occupied by Rhitiowa, one of the forty Finnish villages scattered over the present site of St. Petersburg, as designated by the maps of the Swedes, whom Peter the Great-practically Russia's second patron saint-expelled anew when he captured their thriving commercial town, on the shore of the Neva, directly opposite, now known as Malaya Okhta, possessed of extensive foreign trade, and of a church older than the capital, which recently celebrated its two-hundredth anniversary.

It was in 1710 that Peter I. named the place "Victory," in honor of Prince-Saint Alexander Nevsky's conquest, and commanded the erection of a Lavra, or first-class monastery, the seat of a Metropolitan and of a theological seminary. By 1716 the monastery was completed, in wood, as engravings of that day show us, but in a very different form from the complex of stone buildings of the present day. Its principal façade, with extensive, stiffly arranged gardens, faced upon the river,-the only means of communication in that town, planted on a bog, threaded with marshy streams, being by boat. In fact, for a long time horses were so scarce in the infant capital, where reindeer were used in sledges even as late as the end of the last century, that no one was permitted to come to Court, during Peter the Great's reign, otherwise than by water. Necessity and the enforced cultivation of aquatic habits in his inland subjects, which the enterprising Emperor had so much at heart, combined to counsel this regulation.

The bones of Prince Alexander were brought to St. Petersburg, from their resting-place in the Vladimir Government, in 1724, Peter the Great occupying his favorite post as pilot and steersman in the saint's state barge, and they now repose in the monastery cathedral, under a canopy, and in a tomb of silver, 3600 pounds in weight, given by Peter's daughter, the devout Empress Elizabeth. In the cemetery surrounding the cathedral, under the fragrant firs and birches, with the blue Neva rippling far below, lie many of the men who have contributed to the advancement of their country in literature, art, and science, during the last two centuries.

Of all the historical memories connected with this monastery none is more curious than that relating to the second funeral of Peter III. He had been buried by his wife, in 1762, with much simplicity, in one of the many churches of the Lavra, which contains the family tombs and monuments not only of members of the imperial family, but of the noble families most illustrious in the eighteenth century. When Paul I. came to the throne, in 1796, his first care was to give his long-deceased father a more fitting burial. The body was exhumed. Surrounded by his court, Pavel Petrovitch took the imperial crown from the altar, placed it on his own head, then laid it reverently on his father's coffin. When Peter III. was transferred immediately afterward, with magnificent ceremonial, to the Winter Palace, there to lie in state by the side of his wife, Katherine II., and to accompany her to his proper resting-place among the sovereigns of Russia, in the cathedral of the Peter-Paul fortress, Count Alexei Grigorevitch Orloff was appointed, with fine irony, to carry the crown before his former master, whom he had betrayed, and in the necessity for whose first funeral he had played the part of Fate. It was with considerable difficulty that he was hunted up, while Emperor and pageant waited, in the obscure corner where he was sobbing and weeping; and with still greater difficulty was he finally persuaded to perform the task assigned to him in the procession.

Outside the vast monastery, which, like most Russian monasteries, resembles a fortress, though, unlike most of them, it has never served as such, the scene is almost rural. Pigeons, those symbols of the Holy Ghost, inviolable in Russia, attack with impunity the grain bags in the acres of storehouses opposite, pick holes, and eat their fill undisturbed.

From this spot to the slight curve in the Prospekt, at the Znamenskaya Square, a distance of about a mile, where the Moscow railway station is situated, and where the train of steam tram-cars is superseded by less terrifying horse-cars, the whole aspect of the avenue is that of a provincial town, in the character of the people and the buildings, even to the favorite crushed strawberry and azure washes, and green iron roofs on the countrified shops. Here and there, not very far away, a log-house may even be espied.

During the next three quarters of a mile the houses and shops are more city-like, and, being newer than those beyond, are more ornamented as to the stucco of their windows and doors. Here, as elsewhere in this stoneless land, with rare exceptions, the buildings are of brick or rubble, stuccoed and washed, generally in light yellow, with walls three feet or more apart, warmly filled in, and ventilated through the hermetically sealed windows by ample panes in the centre of the sashes, or by apertures in the string-courses between stories, which open into each room. Shops below, apartments above, this is the nearly invariable rule.

It is only when we reach the Anitchkoff Bridge, with its graceful railing of sea-horses, adorned with four colossal bronze groups of horse-tamers, from the hand of the Russian sculptor, Baron Klodt, that the really characteristic part of the Nevsky begins.

It is difficult to believe that fifty years ago this spot was the end of the Petersburg world. But at that epoch the Nevsky was decorated with rows of fine large trees, which have now disappeared to the last twig. The Fontanka River, or canal, over which we stand, offers the best of the many illustrations of the manner in which Peter the Great, with his ardent love of water and Dutch ways, and his worthy successors have turned natural disadvantages into advantages and objects of beauty. The Fontanka was the largest of the numerous marshy rivers in that Arctic bog selected by Peter I. for his new capital, which have been deepened, widened, faced with cut granite walls, and utilized as means of cheap communication between distant parts of the city, and as relief channels for the inundating waves of the Gulf of Finland, which rise, more or less, every year, from August to November, at the behest of the southwest gale. That this last precaution is not superfluous is shown by the iron flood-mark set into the wall of the Anitchkoff Palace, on the southern shore of the Fontanka, as on so many other public buildings in the city, with "1824" appended,-the date of one celebrated and disastrous inundation which attained in some places the height of thirteen feet and seven inches. This particular river derived its name from the fact that it was trained to carry water and feed the fountains in Peter the Great's favorite Summer Garden, of which only one now remains.

At the close of the last century, and even later, persons out of favor at Court, or nobles who had committed misdemeanors, were banished to the southern shores of the Fontanka, as to a foreign land. Among the amusements at the datchas,-the wooden country houses,-in the wilder recesses of the vast parks which studded both shores, the chase after wild animals, and from bandits, played a prominent part.

The stretch which we have traversed on our way from the monastery, and which is punctuated at the corner of the canal and the Prospekt by the pleasing brick and granite palace of the Emperor's brother, Grand Duke Sergiei Alexandrovitch, which formerly belonged to Prince Byeloselsky-Byelozersky, was the suburb belonging to Lieutenant-Colonel Anitchkoff, who built the first bridge, of wood, in 1715. As late as the reign of Alexander I., all persons entering the town were required to inscribe their names in the register kept at the barrier placed at this bridge. Some roguish fellows having conspired to cast ridicule on this custom, by writing absurd names, the guards were instructed to make an example of the next jester whose name should strike them as suspicious. Fate willed that the imperial comptroller, Baltazar Baltazarovitch Kampenhausen, with his Russianized German name, should fall a victim to this order, and he was detained until his fantastic cognomen, so harsh to Slavic ears, could be investigated.

By day or by night, in winter or summer, it is a pure delight to stand on the Anitchkoff Bridge and survey the scene on either hand. If we gaze to the north toward what is one of the oldest parts settled on the rivulet-riddled so-called "mainland," in this Northern Venice, we see the long, plain façade of the Katherine Institute for the education of the daughters of officers, originally built by Peter the Great for his daughter Anna, as the "Italian Palace," but used only for the palace servants, until it was built over and converted to its present purpose. Beyond, we catch a glimpse of the yellow wings of Count Scheremetieff's ancient house and its great iron railing, behind which, in a spacious courtyard, after the Moscow fashion so rare in thrifty Petersburg, the main building lies invisible to us. If we look to the south, we find the long ochre mass of the Anitchkoff Palace, facing on the Nevsky, upon the right shore; on the left, beyond the palace of Sergiei Alexandrovitch, the branch of the Alexander Nevsky Monastery, in old Russian style, with highly colored saints and heads of seraphim on the outer walls; and a perspective of light, stuccoed building,-dwellings, markets, churches,-until the eye halts with pleasure on the distant blue dome of the Troitzky cathedral, studded with golden stars. Indeed, it is difficult to discover a vista in St. Petersburg which does not charm us with a glimpse of one or more of these cross-crowned domes, floating, bubble-like, in the pale azure of the sky. Though they are far from being as beautiful in form or coloring as those of Moscow, they satisfy us at the moment.

If it is on a winter night that we take up our stand here, we may catch a distant glimpse of the numerous "skating-gardens," laid out upon the ice cleared on the snowy surface of the canal. The ice-hills will be black with forms flitting swiftly down the shining roads on sledges or skates, illuminated by the electric light; a band will be braying blithely, regardless of the piercing cold, and the skaters will dance on, in their fancy-dress ball or prize races, or otherwise, clad so thinly as to amaze the shivering foreigner as he hugs his furs.

By day the teamsters stand upon the quay, with rough aprons over their ballet-skirted sheepskin coats, waiting for a job. If we hire one of them, we shall find that they all belong to the ancient Russian Artel, or Labor Union, which prevents competition beyond a certain point. When the price has been fixed, after due and inevitable chaffering, one lomovoi grasps his shapeless cap by its worn edge of fur, bites a kopek, and drops it in. Each of the other men contributes a marked copper likewise, and we are invited to draw lots, in full view, to determine which of them shall have the job. The master of the Artel sees to it that there is fair play on both sides. If an unruly member presumes to intervene with a lower bid, with the object of monopolizing the job out of turn, he is promptly squelched, and, though his bid may be allowed to stand, the man whose kopek we have drawn must do the work. The winner chee-ee-eeps to his little horse, whose shaggy mane has been tangled by the loving hand of the domovoi (house-sprite) and hangs to his knees. The patient beast, which, like all Russian horses, is never covered, no matter how severe the weather may be, or how hot he may be from exercise, rouses himself from his real or simulated slumber, and takes up the burden of life again, handicapped by the huge wooden arch, gayly painted in flowers and initials, which joins his shafts, and does stout service despite his sorry aspect.

But the early summer is the season when the Fontanka is to be seen in its most characteristic state. The brilliant blue water sparkles under the hot sun, or adds one more tint to the exquisite hues which make of the sky one vast, gleaming fire-opal on those marvelous "white nights" when darkness never descends to a depth beyond the point where it leaves all objects with natural forms and colors, and only spiritualizes them with the gentle vagueness of a translucent veil. Small steamers, manned by wooden-faced, blond Finns, connect the unfashionable suburban quarters, lying near the canal's entrance into the Neva on the west, with the fashionable Court quarter on the northern quays at its other entrance into the Neva, seven versts away. They dart about like sea-gulls, picking their path, not unfraught with serious danger, among the obstructions. The obstructions are many: washing-house boats (it is a good old unexploded theory in Petersburg that clothes are clean only when rinsed in running water, even though our eyes and noses inform us, unaided by chart, where the drainage goes); little flotillas of dingy flat-boats, anchored around the "Fish-Gardens," and containing the latter's stock in trade, where persons of taste pick their second dinner-course out of the flopping inmates of a temporary scoop-net; huge, unwieldy, wood barks, put together with wooden pegs, and steered with long, clumsy rudders, which the poor peasants have painfully poled-tramp, tramp, tramp, along the sides-through four hundred miles of tortuous waterways from that province of the former haughty republic, "Lord Novgorod the Great," where Prince Rurik ruled and laid the foundations of the present imperial empire, and whence came Prince-Saint Alexander, to win his surname of Nevsky, as we have seen, at the spot where his monastery stands, a couple of miles, at most, away.

The boatmen, who have trundled all day long their quaint little barrows over the narrow iron rails into the spacious inner courtyards of the houses on the quay, and have piled up their wood for winter fuel, or loaded it into the carts for less accessible buildings, now sit on the stern of their barks, over their coarse food,-sour black bread, boiled buckwheat groats, and salted cucumbers,-doffing their hats and crossing themselves reverently before and after their simple meal, and chatting until the red glow of sunset in the north flickers up to the zenith in waves of sea-green, lilac, and amber, and descends again in the north, at the pearl pink of dawn. Sleep is a lost art with these men, as with all classes of people, during those nerve-destroying "white nights." When all the silvery satin of the birch logs has been removed from their capacious holds, these primitive barks will be unpegged, and the cheap "bark-wood," riddled with holes as by a mitrailleuse, will be used for poor structures on the outskirts of the town.

On the upper shore of this river, second only to the Neva in its perennial fascination, and facing on the Prospekt, stands the Anitchkoff Palace, on the site of a former lumber-yard, which was purchased by the Empress Elizabeth, when she commissioned her favorite architect, Rastrelli, to erect for Count Razumovsky a palace in that rococo style which he used in so many palaces and churches during her reign and that of Katherine II.,-the rococo style being, by the way, quite the most unsuited discoverable for Russian churches.

Count Alexei Grigorevitch Razumovsky was the Empress Elizabeth's husband, the uneducated but handsome son of a plain Kazak from Little Russia, who attracted the attention of Elizaveta Petrovna as his sweet voice rang out in the imperial choir, at mass, in her palace church. When the palace was completed, in 1757, it did not differ materially from its present appearance, as a painting in the Winter Palace shows, except that its colonnade, now inclosed for the Imperial Chancellery and offices, then abutted directly on the Fontanka. It has had a very varied ownership, with some curious features in that connection which remind one of a gigantic game of ball between Katherine II. and Prince Potemkin. Count Razumovsky did not live in it until after the Empress Elizabeth's death, in 1762. After his own death, his brother sold it to the state, and Katherine II. presented it to Prince Potemkin, who promptly resold it to a wealthy merchant-contractor in the commissariat department of the army, who in turn sold it to Katherine II., who gave it once more to Potemkin. The prince never lived here, but gave sumptuous garden parties in the vast park, which is now in great part built over, and sold it back to the state again in 1794. It was first occupied by royalty in 1809, when the Emperor Alexander I. settled his sister here, with her first husband,-that Prince of Oldenburg whose territory in Germany Napoleon I. so summarily annexed a few years later, thereby converting the Oldenburgs permanently into Russian princes.

The Grand Duke Heir Nicholas used it from 1819 until he ascended the throne, in 1825, and since that time it has been considered the palace of the heir to the throne. But the present Emperor has continued to occupy it since his accession, preferring its simplicity to the magnificence of the Winter Palace.

The high walls, of that reddish-yellow hue, like the palace itself, which is usually devoted to government buildings in Russia, continue the line of offices along the Prospekt, and surround wooded gardens, where the Emperor and his family coast, skate, and enjoy their winter pleasures, invisible to the eyes of passers-by.

These woods and walls also form the eastern boundary of the Alexandra Square, in whose centre rises Mikeshin and Opekushin's fine colossal bronze statue of Katherine II., crowned, sceptred, in imperial robes, and with the men who made her reign illustrious grouped about her feet. Among these representatives of the army, navy, literature, science, art, there is one woman,-that dashing Princess Elizaveta Romanovna Dashkoff, who helped Katherine to her throne. As Empress, Katherine appointed her to be first president of the newly founded Academy of Sciences, but afterward withdrew her favor, and condemned her to both polite and impolite exile,-because of her services, the princess hints, in her celebrated and very lively "Memoirs."

In the Alexandra Theatre, for Russian and German drama, which rears its new (1828) Corinthian peristyle and its bronze quadriga behind the great Empress, forming the background of the Square, two of the Empress's dramas still hold the stage, on occasion. For this busy and energetic woman not only edited and published a newspaper, the greater part of which she wrote with her own hand, but composed numerous comedies and comic operas, where the moral, though sufficiently obvious all the way through, one would have thought, in the good old style is neatly labeled at the end. These were acted first in the private theatres of the various palaces, by the dames and cavaliers of the Court, after which professional actors presented them to the public in the ordinary theatres.

It is in vain that we scrutinize the chubby-cheeked countenance of the bronze Prince Potemkin, at Katherine II.'s feet, to discover the secret of the charm which made the imperial lady who towers above him force upon him so often the ground upon which they both now stand. He stares stolidly at the Prospekt, ignoring not only the Theatre, but the vast structures containing the Direction of Theatres and Prisons, the Censor's Office, Theatrical School, and other government offices in the background; the new building for shops and apartments, where ancient Russian forms have been adapted to modern street purposes; and even the wonderfully rich Imperial Public Library, begun in 1794, to contain the books brought from Warsaw, with its Corinthian peristyle interspersed with bronze statues of ancient sages, on the garden side,-all of which stand upon the scene of his former garden parties, as the name of the avenue beyond the plain end of the Library on the Prospekt-Great Garden Street-reminds us. Not far away is the site of the tunnel dug under the Prospekt by the revolutionists, which, however, was fortunately discovered in time to prevent the destruction of one of the fairest parts of the city, and its most valuable buildings. With the next block we enter upon the liveliest, the most characteristic portion of the Nevsky Prospekt, in that scant fraction over a mile which is left to us above the Anitchkoff Bridge.

Here stands the vast bazaar known as the Gostinny Dvor,-"Guests' Court,"-a name which dates from the epoch when a wealthy merchant engaged in foreign trade, and owning his own ships, was distinguished from the lesser sort by the title of "Guest," which we find in the ancient epic songs of Russia. Its frontage of seven hundred feet on the Prospekt, and one thousand and fifty on Great Garden and the next parallel street, prepare us to believe that it may really contain more than five hundred shops in the two stories, the lower surrounded by a vaulted arcade supporting an open gallery, which is invaluable for decorative purposes at Easter and on imperial festival days. Erected in 1735, very much in its present shape, the one common throughout the country, on what had been an impassable morass a short time before, and where the ground still quakes at dawn, it may not contain the largest and best shops in town, and its merchants certainly are not "guests" in the ancient acceptation of the word; but we may claim, nevertheless, that it presents a compendium of most purchasable articles extant, from samovari, furs, and military goods, to books, sacred images, and Moscow imitations of Parisian novelties at remarkably low prices, as well as the originals.

The nooks and spaces of the arcade, especially at the corners and centre, are occupied by booths of cheap wares. The sacred image, indispensable to a Russian shop, is painted on the vaulted ceiling; the shrine lamp flickers in the open air, thus serving many aproned, homespun and sheepskin clad dealers. The throng of promenaders here is always varied and interesting. The practiced eye distinguishes infinite shades of difference in wealth, social standing, and other conditions. The lady in the velvet shuba, lined with sable or black fox, her soft velvet cap edged with costly otter, her head wrapped in a fleecy knitted shawl of goat's-down from the steppes of Orenburg, or pointed hood-the bashlyk-of woven goat's-down from the Caucasus, has driven hither in her sledge or carriage, and has alighted to gratify the curiosity of her sons. We know at a glance whether the lads belong in the aristocratic Pages' Corps, on Great Garden Street, hard by, in the University, the Law School, the Lyceum, or the Gymnasium, and we can make a shrewd guess at their future professions by their faces as well as by their uniforms. The lady who comes to meet us in sleeved pelisse, wadded with eider-down, and the one in a short jacket have arrived, and must return, on foot; they could not drive far in the open air, so thinly clad.

At Christmas-tide there is a great augmentation in the queer "Vyazemsky" and other cakes, the peasant laces, sweet Vyborg cracknels, fruit pastils, and other popular goods, on which these petty open-air dealers appear to thrive, both in health and purse. The spacious area between the bazaar and the sidewalk of the Nevsky is filled with Christmas-trees, beautifully unadorned, or ruined with misplaced gaudiness, brought in, in the majority of cases, by Finns from the surrounding country. Again, in the week preceding Palm Sunday, the Verbnaya Yarmaraka, or Pussy Willow Fair, takes place here. Nominally, it is held for the purpose of providing the public with twigs of that aesthetic plant (the only one which shows a vestige of life at that season), which are used as palms, from the Emperor's palace to the poorest church in the land. In reality, it is a most amusing fair for toys and cheap goods suitable for Easter eggs; gay paper roses, wherewith to adorn the Easter cake; and that combination of sour and sweet cream and other forbidden delicacies, the paskha, with which the long, severe fast is to be broken, after midnight matins on Easter. Here are plump little red Finland parrots, green and red finches, and other song-birds, which kindly people buy and set free, after a pretty custom. The board and canvas booths, the sites for which are drawn by lot by soldiers' widows, and sold or used as suits their convenience, are locked at night by dropping the canvas flap, and are never guarded; while the hint that thefts may be committed, or that watching is necessary, is repelled with indignation by the stall-keepers.

There is always a popular toy of the hour. One year it consisted of highly colored, beautifully made bottle-imps, which were loudly cried as Amerikanskiya zhiteli,-inhabitants of America. We inquired the reason for their name.

"They are made in the exact image of the Americans," explained the peasant vendor, offering a pale blue imp, with a long, red tongue and a phenomenal tail, for our admiration.

"We are inhabitants of America. Is the likeness very strong?" we asked.

The crowd tittered softly; the man looked frightened; but finding that no dire fate threatened, he was soon vociferating again, with a roguish grin:-

"Kupiti, kupi-i-iti! Prevoskhodniya Amerikanskiya zhiteli! Sa-a-miya nastoyashtschiya!"-Buy, buy, splendid natives of America! the most genuine sort!

Far behind this Gostinny Dvor extends a complex mass of other curious "courts" and markets, all worthy of a visit for the popular types which they afford of the lower classes. Among them all none is more steadily and diversely interesting, at all seasons of the year, than the Syennaya Ploshtschad,-the Haymarket,-so called from its use in days long gone by. Here, in the Fish Market, is the great repository for the frozen food which is so necessary in a land where the church exacts a sum total of over four months' fasting out of the twelve. Here the fish lie piled like cordwood, or overflow from casks, for economical buyers. Merchants' wives, with heads enveloped in colored kerchiefs, in the olden style, well tucked in at the neck of their salopi, or sleeved fur coats, prowl in search of bargains. Here sit the fishermen from the distant Murman coast, from Arkhangel, with weather-beaten but intelligent faces, in their quaint skull-caps of reindeer hide, and baggy, shapeless garments of mysterious skins, presiding over the wares which they have risked their lives to catch in the stormy Arctic seas, during the long days of the brief summer-time; codfish dried and curled into gray unrecognizableness; yellow caviar which resists the teeth like tiny balls of gutta-percha,-not the delicious gray "pearl" caviar of the sturgeon,-and other marine food which is never seen on the rich man's table.

But we must return to the Nevsky Prospekt. Nestling at the foot of the City Hall, at the entrance of the broad street between it and the Gostinny Dvor, on the Nevsky, stands a tiny chapel, which is as thriving as the bazaar, in its own way, and as striking a compendium of some features in Russian architecture and life. Outside hangs a large image of the "Saviour-not-made-with-hands,"-the Russian name for the sacred imprint on St. Veronica's handkerchief,-which is the most popular of all the representations of Christ in ikoni. Before it burns the usual "unquenchable lamp," filled with the obligatory pure olive-oil. Beneath it stands a table bearing a large bowl of consecrated water. On hot summer days the thirsty wayfarer takes a sip, using the ancient Russian kovsh, or short-handled ladle, which lies beside it, crosses himself, and drops a small offering on the dish piled with copper coins near by, making change for himself if he has not the exact sum which he wishes to give.

Inside, many ikoni decorate the walls. The pale flames of their shrine-lamps are supplemented by masses of candles in the huge standing candlesticks of silver. A black-robed monk from the monastery is engaged, almost without cessation, in intoning prayers of various sorts, before one or another of the images. The little chapel is thronged; there is barely room for respectfully flourished crosses, such as the peasant loves, often only for the more circumscribed sign current among the upper classes, and none at all for the favorite "ground reverences." The approach to the door is lined with two files of monks and nuns: monks in high klobuki, like rimless chimney-pot hats, draped with black woolen veils, which are always becoming; tchernitzi, or lay sisters, from distant convents, in similar headgear, in caps flat or pointed like the small end of a watermelon, and with ears protected by black woolen shawls ungracefully pinned. Serviceable man's boots do more than peep out from beneath the short, rusty-black skirts. Each monk and nun holds a small pad of threadbare black velvet, whereon a cross of tarnished gold braid, and a stray copper or two, by way of bait, explain the eleemosynary significance of the bearers' "broad" crosses, dizzy "reverences to the girdle," and muttered entreaty, of which we catch only: "Khristi Radi"-For Christ's sake.

People of all classes turn in here for a moment of prayer, to "place a candle" to some saint, for the health, in body or soul, of friend or relative: the workman, his tools on his back in a coarse linen kit; the bearded muzhik from the country, clad in his sheepskin tulup, wool inward, the soiled yellow leather outside set off by a gay sash; ladies, officers, civilians,-the stream never ceases.

The only striking feature about the next building of importance, the Gradskaya Duma, or City Hall, is the lofty tower, upon whose balcony, high in air, guards pace incessantly, on the watch for fires. By day they telegraph the locality of disaster to the fire department by means of black balls and white boards, in fixed combinations; by night, with colored lanterns. Each section of the city has a signal-tower of this sort, and the engine-house is close at hand. Gradskaya Duma means, literally, city thought, and the profundity of the meditations sometimes indulged in in this building, otherwise not remarkable, may be inferred from the fact discovered a few years ago, that many honored members of the Duma (which also signifies the Council of City Fathers), whose names still stood on the roll, were dead, though they continued to vote and exercise their other civic functions with exemplary regularity!

Naturally, in a city which lies on a level with the southern point of Greenland, the most characteristic season to select for our observations of the life is winter.

The Prospekt wakes late. It has been up nearly all night, and there is but little inducement to early rising when the sun itself sets such a fashion as nine o'clock for its appearance on the horizon, like a pewter disk, with a well-defined hard rim, when he makes his appearance at all. If we take the Prospekt at different hours, we may gain a fairly comprehensive view of many Russian ways and people, cosmopolitan as the city is.

At half-past seven in the morning, the horse-cars, which have been resting since ten o'clock in the evening, make a start, running always in groups of three, stopping only at turnouts. The dvorniki retire from the entrance to the courtyards, where they have been sleeping all night with one eye open, wrapped in their sheepskin coats. A few shabby izvostchiks make their appearance somewhat later, in company with small schoolboys, in their soldierly uniforms, knapsacks of books on back, and convoyed by servants. Earliest of all are the closed carriages of officials, evidently the most lofty in grade, since it was decided, two or three years ago, by one of this class, that his subordinates could not reasonably be expected to arrive at business before ten or eleven o'clock after they had sat up until daylight over their indispensable club vint-which is Russian whist.

Boots (muzhiki) in scarlet cotton blouses, and full trousers of black velveteen, tucked into tall wrinkled boots, dart about to bakery and dairy shop, preparing for their masters' morning "tea." Venders of newspapers congregate at certain spots, and charge for their wares in inverse ratio to the experience of their customers; for regular subscribers receive their papers through the post-office, and, if we are in such unseemly haste as to care for the news before the ten o'clock delivery-or the eleven o'clock, if the postman has not found it convenient otherwise-we must buy on the street, though we live but half a block from the newspaper office, which opens at ten. By noon, every one is awake. The restaurants are full of breakfasters, and Dominique's, which chances to stand on the most crowded stretch of the street, on the sunny north side beloved of promenaders, is dense with officers, cigarette smoke, and characteristic national viands judiciously mingled with those of foreign lands.

Mass is over, and a funeral passes down the Nevsky Prospekt, on its way to the fashionable Alexander Nevsky monastery or Novo-Dyevitche convent cemeteries. The deceased may have been a minister of state, or a great officer of the Court, or a military man who is accompanied by warlike pageant. The choir chants a dirge. The priests, clad in vestments of black velvet and silver, seem to find their long thick hair sufficient protection to their bare heads. The professional mutes, with their silver-trimmed black baldrics and cocked hats, appear to have plucked up the street lanterns by their roots to serve as candles, out of respect to the deceased's greatness, and to illustrate how the city has been cast into darkness by the withdrawal of the light of his countenance. The dead man's orders and decorations are borne in imposing state, on velvet cushions, before the gorgeous funeral car, where the pall, of cloth of gold, which will be made into a priest's vestment once the funeral is over, droops low among artistic wreaths and palms, of natural flowers, or beautifully executed in silver. Behind come the mourners on foot, a few women, many men, a Grand Duke or two among them, it may be; the carriages follow; the devout of the lower classes, catching sight of the train, cross themselves broadly, mutter a prayer, and find time to turn from their own affairs and follow for a little way, out of respect to the stranger corpse. More touching are the funerals which pass up the Prospekt on their way to the unfashionable cemetery across the Neva, on Vasily Ostroff; a tiny pink coffin resting on the knees of the bereaved parents in a sledge, or borne by a couple of bareheaded men, with one or two mourners walking slowly behind.

From noon onward, the scene on the Prospekt increases constantly in vivacity. The sidewalks are crowded, especially on Sundays and holidays, with a dense and varied throng, of so many nationalities and types that it is a valuable lesson in ethnography to sort them, and that a secret uttered is absolutely safe in no tongue,-unless, possibly, it be that of Patagonia. But the universal language of the eye conquers all difficulties, even for the remarkably fair Tatar women, whose national garb includes only the baldest and gauziest apology for the obligatory veil.

The plain façades of the older buildings on this part of the Prospekt, which are but three or four stories in height,-elevators are rare luxuries in Petersburg, and few buildings exceed five stories,-are adorned, here and there, with gayly-colored pictorial representations of the wares for sale within. But little variety in architecture is furnished by the inconspicuous Armenian, and the uncharacteristic Dutch Reformed and Lutheran churches which break the severe line of this " Tolerance Street," as it has been called. Most fascinating of all the shops are those of the furriers and goldsmiths, with their surprises and fresh lessons for foreigners; the treasures of Caucasian and Asian art in the Eastern bazaars; the "Colonial wares" establishments, with their delicious game cheeses, and odd studena (fishes in jelly), their pineapples at five and ten dollars, their tiny oysters from the Black Sea at twelve and a half cents apiece.

Enthralling as are the shop windows, the crowd on the sidewalk is more enthralling still. There are Kazaks, dragoons, cadets of the military schools, students, so varied, though their gay uniforms are hidden by their coats, that their heads resemble a bed of verbenas in the sun. There are officers of every sort: officers with rough gray overcoats and round lambskin caps; officers in large, flat, peaked caps, and smooth-surfaced voluminous cape-coats, wadded with eider-down and lined with gray silk, which trail on their spurs, and with collars of costly beaver or striped American raccoon, and long sleeves forever dangling unused. A snippet of orange and black ribbon worn in the buttonhole shows us that the wearer belongs to the much-coveted military Order of St. George. There are civilians in black cape-coats of the military pattern, topped off with cold, uncomfortable, but fashionable chimneypot hats, or, more sensibly, with high caps of beaver.

It is curious to observe how many opinions exist as to the weather. The officers leave their ears unprotected; a passing troop of soldiers-fine, large, hardy fellows-wear the strip of black woolen over their ears, but leave their bashlyks hanging unused on their backs, with tabs tacked neatly under shoulder-straps and belts, for use on the Balkans or some other really cold spot. Most of the ladies, on foot or in sledges, wear bashlyks or Orenburg shawls, over wadded fur caps, well pulled down to the brows. We may be sure that the pretty woman who trusts to her bonnet only has also neglected to put on the necessary warm galoshes, and that when she reaches home, sympathizing friends will rub her vain little ears, feet, and brow with spirits of wine, to rescue her from the results of her folly. Only officers and soldiers possess the secret of going about in simple leather boots, or protected merely by a pair of stiff, slapping leather galoshes, accommodated to the spurs.

For some mysterious reason, the picturesque nurses, with their pearl-embroidered, diadem-shaped caps, like the kokoshniki of the Empress and Court ladies, their silver-trimmed petticoats and jackets patterned after the ancient Russian "soul-warmers," and made of pink or blue cashmere, never have any children in their charge in winter. Indeed, if we were to go by the evidence offered by the Nevsky Prospekt, especially in cold weather, we should assert that there are no children in the city, and that the nurses are used as "sheep-dogs" by ladies long past the dangerous bloom of youth and beauty.

The more fashionable people are driving, however, and that portion of the one hundred and fourteen feet of the Prospekt's width which is devoted to the roadway is, if possible, even more varied and entertaining in its kaleidoscopic features than the sidewalks. It is admirably kept at all seasons. With the exception of the cobblestone roadbed for the tramway in the centre, it is laid with hexagonal wooden blocks, well spiked together and tarred, resting upon tarred beams and planks, and forming a pavement which is both elastic and fairly resistant to the volcanic action of the frost. The snow is maintained at such a level that, while sledging is perfect, the closed carriages which are used for evening entertainments, calls, and shopping are never incommoded. Street sweepers, in red cotton blouses and clean white linen aprons, sweep on calmly in the icy chill. The police, with their bashlyks wrapped round their heads in a manner peculiar to themselves, stand always in the middle of the street and regulate the traffic.

We will hire an izvostchik and join the throng. The process is simple; it consists in setting ourselves up at auction on the curbstone, among the numerous cabbies waiting for a job, and knocking ourselves down to the lowest bidder. If our Vanka (Johnny, the generic name for cabby) drives too slowly, obviously with the object of loitering away our money, a policeman will give him a hint to whip up, or we may effect the desired result by threatening to speak to the next guardian of the peace. If Vanka attempts to intrude upon the privileges of the private carriages, for whom is reserved the space next the tramway track and the row of high, silvered posts which bear aloft the electric lights, a sharp "Beregis!" (Look out for yourself!) will be heard from the first fashionable coachman who is impeded in his swift career, and he will be called to order promptly by the police. Ladies may not, unfortunately, drive in the smartest of the public carriages, but must content themselves with something more modest and more shabby. But Vanka is usually good-natured, patient, and quite unconscious of his shabbiness, at least in the light of a grievance or as affecting his dignity. It was one of these shabby, but democratic and self-possessed fellows who furnished us with a fine illustration of the peasant qualities. We encountered one of the Emperor's cousins on his way to his regimental barracks; the Grand Duke mistook us for acquaintances, and saluted. Our izvostchik returned the greeting.

"Was that Vasily Dmitrich?" we asked in Russian form.

"Yes, madam."

"Whom was he saluting?"

"Us," replied the man, with imperturbable gravity. Very different from our poor fellow, who remembers his duties to the saints and churches, and salutes Kazan Cathedral, as we pass, with cross and bared head, is the fashionable coachman, who sees nothing but his horses. Our man's cylindrical cap of imitation fur is old, his summer armyak of blue cloth fits, as best it may, over his lean form and his sheepskin tulup, and is girt with a cheap cotton sash.

The head of the fashionable coachman is crowned with a becoming gold-laced cap, in the shape of the ace of diamonds, well stuffed with down, and made of scarlet, sky-blue, sea-green, or other hue of velvet. His fur-lined armyak, reaching to his feet,-through whose silver buttons under the left arm he is bursting, with pads for fashion or with good living,-is secured about his portly waist by a silken girdle glowing with roses and butterflies. His legs are too fat to enter the sledge,-that is to say, if his master truly respects his own dignity,-and his feet are accommodated in iron stirrups outside. He leans well back, with arms outstretched to accord with the racing speed at which he drives. In the tiny sledge-the smaller it is, the more stylish, in inverse ratio to the coachman, who is expected to be as broad as it is-sits a lady hugging her crimson velvet shuba lined with curled white Thibetan goat, or feathery black fox fur, close about her ears. An officer holds her firmly with one arm around the waist, a very necessary precaution at all seasons, with the fast driving, where drozhkies and sledges are utterly devoid of back or side rail. The spans of huge Orloff stallions, black or dappled gray, display their full beauty of form in the harnesses of slender straps and silver chains; their beautiful eyes are unconcealed by blinders. They are covered with a coarse-meshed woolen net fastened to the winged dashboard, black, crimson, purple, or blue, which trails in the snow in company with their tails and the heavy tassels of the fur-edged cloth robe. The horses, the wide-spreading reddish beard of the coachman, parted in the middle like a well-worn whisk broom, the hair, eyelashes, and furs of the occupants of the sledge, all are frosted with rime until each filament seems to have been turned into silver wire.

There is an alarm of fire somewhere. A section of the fire department passes, that imposing but amusing procession of hand-engine, three water-barrels, pennons, and fine horses trained in the haute école, which does splendid work with apparently inadequate means. An officer in gray lambskin cap flashes by, drawn by a pair of fine trotters. "Vot on sam!" mutters our izvostchik,-There he is himself! It is General Gresser [1] the prefect of the capital, who maintains perfect order, and demonstrates the possibilities of keeping streets always clean in an impossible climate. The pounding of those huge trotters' hoofs is so absolutely distinctive-as distinctive as the unique gray cap-that we can recognize it as they pass, cry like the izvostchik, "Vot on sam!" and fly to the window with the certainty that it will be "he himself."

Court carriages with lackeys in crimson and gold, ambassadors' sledges with cock-plumed chasseurs and cockaded coachmen, the latter wearing their chevrons on their backs; rude wooden sledges, whose sides are made of knotted ropes, filled with superfluous snow; grand ducal troikas with clinking harnesses studded with metal plaques and flying tassels, the outer horses coquetting, as usual, beside the staid trot of the shaft-horse,-all mingle in the endless procession which flows on up the Nevsky Prospekt through the Bolshaya Morskaya,-Great Sea Street,-and out upon the Neva quays, and back again, to see and be seen, until long after the sun has set on the short days, at six minutes to three. A plain sledge approaches. The officer who occupies it is dressed like an ordinary general, and there are thousands of generals! As he drives quietly along, police and sentries give him the salute of the ordinary general; so do those who recognize him by his face or his Kazak orderly. It is the Emperor out for his afternoon exercise. If we meet him near the gate of the Anitchkoff Palace, we may find him sitting placidly beside us, while our sledge and other sledges in the line are stopped for a moment to allow him to enter.

Here is another sledge, also differing in no respect from the equipages of other people, save that the lackey on the low knife-board behind wears a peculiar livery of dark green, pale blue, and gold (or with white in place of the green at Easter-tide). The lady whose large dark eyes are visible between her sable cap and the superb black fox shawl of her crimson velvet cloak is the Empress. The lady beside her is one of her ladies-in-waiting. Attendants, guards, are absolutely lacking, as in the case of the Emperor.

Here, indeed, is the place to enjoy winter. The dry, feathery snow descends, but no one heeds it. We turn up our coat collars and drive on. Umbrellas are unknown abominations. The permanent marquises, of light iron-work, which are attached to most of the entrances, are serviceable only to those who use closed carriages, and in the rainy autumn.

Just opposite the centre of this thronged promenade, well set back from the street, stands the Cathedral of the Kazan Virgin. Outside, on the quay of the tortuous Katherine Canal, made a navigable water-way under the second Katherine, but lacking, through its narrowness, the picturesque features of the Fontanka, flocks of pigeons are fed daily from the adjoining grain shops. In the curve of the great colonnade, copied, like the exterior of the church itself, from that of St. Peter at Rome, bronze statues, heroic in size, of generals Kutuzoff and Barclay de Tolly, by the Russian sculptor Orlovsky, stand on guard.

Hither the Emperor and Empress come "to salute the Virgin," on their safe return from a journey. Hither are brought imperial brides in gorgeous state procession-when they are of the Greek faith-on their way to the altar in the Winter Palace. We can never step into this temple without finding some deeply interesting and characteristically Russian event in progress. After we have run the inevitable gauntlet of monks, nuns, and other beggars at the entrance, we may happen upon a baptism, just beyond, the naked, new-born infant sputtering gently after his thrice-repeated dip in the candle-decked font, with the priest's hand covering his eyes, ears, mouth, and nostrils, and now undergoing the ceremony of anointment or confirmation. Or we may come upon a bridal couple, in front of the solid silver balustrade; or the exquisite liturgy, exquisitely chanted by the fine choir in their vestments of scarlet, blue, and silver, with the seraphic wings upon their shoulders, and intoned, with a finish of art unknown in other lands, by priests robed in rich brocade. Or it may be that a popular sermon by a well-known orator has attracted a throng of listeners among the lofty pillars of gray Finland granite, hung with battle-flags and the keys of conquered towns. What we shall assuredly find is votaries ascending the steps to salute with devotion the benignant brown-faced Byzantine Virgin and Christ-Child, incrusted with superb jewels, or kneeling in "ground reverences," with brow laid to the marble pavement, before the ikonostas, or rood-screen, of solid silver. Our Lady of Kazan has been the most popular of wonder-working Virgins ever since she was brought from Kazan to Moscow, in 1579, and transported to Petersburg, in 1721 (although her present cathedral dates only from 1811), and the scene here on Easter-night is second only to that at St. Isaac's when the porticoes are thronged by the lower classes waiting to have their flower and candle decked cakes and cream blessed at the close of the Easter matins.

One of the few individual dwelling-houses which linger on the Nevsky Prospekt, and which presents us with a fine specimen of the rococo style which Rastrelli so persistently served up at the close of the eighteenth century, is that of the Counts Stroganoff, at the lower quay of the Moika. The Moika (literally, Washing) River is the last of the semicircular, concentric canals which intersect the Nevsky and its two radiating companion Prospekts, and impart to that portion of the city which is situated on the (comparative) mainland a resemblance to an outspread fan, whose palm-piece is formed by the Admiralty on the Neva quay.

The stately pile, and the pompous air of the big, gold-laced Swiss lounging at the entrance on the Nevsky, remind us that the Stroganoff family has been a power in Russian history since the middle of the sixteenth century.

It was a mere handful of their Kazaks, led by Yermak Timofeevitch, who conquered Siberia, in 1581, under Ivan the Terrible, while engaged in repelling the incursions of the Tatars and wild Siberian tribes on the fortified towns which the Stroganoffs had been authorized to erect on the vast territory at the western foot of the Ural Mountains, conveyed to them by the ancient Tzars. Later on, when Alexei Mikhailovitch, the father of Peter the Great, established a new code, grading punishments and fines by classes, the highest money tax assessed for insult and injury was fifty rubles; but the Stroganoffs were empowered to exact one hundred rubles.

Opposite the Stroganoff house, on the upper Moika quay, rises the large, reddish-yellow Club of the Nobility, representing still another fashion in architecture, which was very popular during the last century for palaces and grand mansions,-the Corinthian peristyle upon a solid, lofty basement. It is not an old building, but was probably copied from the palace of the Empress Elizabeth, which stood on this spot. Elizaveta Petrovna, though she used this palace a great deal, had a habit of sleeping in a different place each night, the precise spot being never known beforehand. This practice is attributed, by some Russian historians, to her custom of turning night into day. She went to the theatre, for example, at eleven o'clock, and any courtier who failed to attend her was fined fifty rubles. It was here that the populace assembled to hurrah for Elizaveta Petrovna, on December 6, 1741, when she returned with little Ivan VI. in her arms from the Winter Palace, where she had made captive his father and his mother, the regent Anna Leopoldina. It may have been the recollection of the ease with which she had surprised indolent Anna Leopoldina in her bed-chamber which caused her to be so uncertain in her own movements, in view of the fact that there were persons so ill-advised as to wish the restoration of the slothful German regent and her infant son, disastrous as that would have been to the country.

We must do the Russians who occupy the building at the present day the justice to state that they uphold religiously the nocturnal tradition thus established by Elizaveta Petrovna, and even improve upon it. From six o'clock in the evening onward, the long windows of the club, on the bel étage, blaze with light. The occasional temporary obscurations produced by the steam from relays of samovari do not interfere materially with the neighbors' view of the card-parties and the final exchange of big bundles of bank-bills, which takes place at five o'clock or later the next morning. Even if players and bills were duly shielded from observation, the mauvais quart d'heure would be accurately revealed by the sudden rush for the sledges, which have been hanging in a swarm about the door, according to the usual convenient custom of Vanka, wherever lighted windows suggest possible patrons. Poor, hard-worked Vanka slumbers all night on his box, with one eye open, or falls prone in death-like exhaustion over the dashboard upon his sleeping horse, while his cap lies on the snow, and his shaggy head is bared to the bitter blasts.

Later on, the chief of police lived here, and the adjoining bridge, which had hitherto been known as the Green Bridge, had its name changed to the Police Bridge, which rather puzzling appellation it still bears.

A couple of blocks beyond this corner of the Nevsky, the Moika and the Grand Morskaya, the Nevsky Prospekt ends at the Alexander Garden, backed by the Admiralty and the Neva, after having passed in its course through all grades of society, from the monks at the extreme limit, peasant huts,-or something very like them, on the outskirts,-artistic and literary circles in the Peski quarter (the Sands), well-to-do merchants and nobles, officials and wealthy courtiers, until now we have reached the culminating point, where the Admiralty, Imperial Palace, and War Office complete the national group begun at the church.

When, in 1704, Peter the Great founded his beloved Admiralty, as the first building on the mainland then designed for such purposes as this, and not for residence, it was simply a shipyard, open to the Neva, and inclosed on three sides by low wooden structures, surrounded by stone-faced earthworks, moats, and palisades. Hither Peter was wont to come of a morning, after having routed his ministers out of bed to hold privy council at three and four o'clock, to superintend the work and to lend a hand himself. The first stone buildings were erected in 1726, after his death. In the early years of the present century, Alexander I. rebuilt this stately and graceful edifice, after the plans of the Russian architect Zakharoff, who created the beautiful tower adorned with Russian sculptures, crowned by a golden spire, in the centre of the immense façade, fourteen hundred feet long, which forms a feature inseparable from the vista of the Prospekt for the greater part of its length, to the turn at the Znamenskaya Square. On this spire, at the present day, flags and lanterns warn the inhabitants of low-lying districts in the capital of the rate at which the water is rising during inundations. In case of serious danger, the flags are reinforced by signal guns from the fortress. But in Peter I.'s day, these flags and guns bore exactly the opposite meaning to the unhappy nobles whom the energetic Emperor was trying to train into rough-weather sailors. To their trembling imaginations these signal orders to assemble for a practice sail signified, "Come out and be drowned!" since they were obliged to embark in the crafts too generously given to them by Peter, and cruise about until their leader (who delighted in a storm) saw fit to return. There is a story of one unhappy wight, who was honored by the presence aboard his craft of a very distinguished and very seasick Persian, making his first acquaintance with the pleasures of yachting, and who spent three days without food, tacking between Petersburg and Kronstadt, in the vain endeavor to effect a landing during rough weather.

When the present Admiralty was built, a broad and shady boulevard was organized on the site of the old glacis and covered way, and later still, when the break in the quay was filled in, and the shipbuilding transferred to the New Admiralty a little farther down the river, the boulevard was enlarged into the New Alexander Garden, one of the finest squares in Europe. It soon became the fashionable promenade, and the centre of popular life as well, by virtue of the merry-makings which took place. Here, during the Carnival of 1836, the temporary cheap theatre of boards was burned, at the cost of one hundred and twenty-six lives and many injured persons, which resulted in these dangerous balagani and other holiday amusements being removed to the spacious parade-ground known as the Empress's Meadow.

If we pass round the Admiralty to the Neva, we shall find its frozen surface teeming with life. Sledge roads have been laid out on it, marked with evergreen bushes, over which a yamtschik will drive us with his troika fleet as the wind, to Kronstadt, twenty miles away. Plank walks, fringed with street lanterns, have been prepared for pedestrians. Broad ice paths have been cleared, whereon the winter ferry-boats ply,-green garden-chairs, holding one or more persons, furnished with warm lap-robes, and propelled by stout muzhiks on skates, who will transport us from shore to shore for the absurdly small sum of less than a cent apiece, though a ride with the reindeer (now a strange sight in the capital), at the Laplanders' encampment, costs much more.

It is hard to tear ourselves from the charms of the river, with its fishing, ice-cutting, and many other interesting sights always in progress. But of all the scenes, that which we may witness on Epiphany Day-the " Jordan," or Blessing of the Waters, in commemoration of Christ's baptism in the Jordan -is the most curious and typically Russian.

After mass, celebrated by the Metropolitan, in the cathedral of the Winter Palace, whose enormous reddish-ochre mass we perceive rising above the frost- jeweled trees of the Alexander Garden, to our right as we stand at the head of the Nevsky Prospekt, the Emperor, his heir, his brothers, uncles, and other great personages emerge in procession upon the quay. Opposite the Jordan door of the palace a scarlet, gold, and blue pavilion, also called the " Jordan," has been erected over the ice. Thither the procession moves, headed by the Metropolitan and the richly vestured clergy, their mitres gleaming with gems, bearing crosses and church banners, and the imperial choir, clad in crimson and gold, chanting as they go. The Empress and her ladies, clad in full Court costume at midday, look on from the palace windows. After brief prayers in the pavilion, all standing with bared heads, the Metropolitan dips the great gold cross in the rushing waters of the Neva, through a hole prepared in the thick, opalescent, green ice, and the guns on the opposite shore thunder out a salute. The pontoon Palace Bridge, the quays on both sides of the river, all the streets and squares for a long distance round about, are densely thronged; and, as the guns announce the consecration, every head is bared, every right hand in the mass, thousands strong, is raised to execute repeated signs of the cross on brow and breast.

From our post at the head of the Prospekt we behold not the ceremony itself but the framework of a great national picture, the great Palace Square, whereon twenty thousand troops can manoeuvre, and in whose centre rises the greatest monolith of modern times, the shaft of red Finland granite, eighty-four feet in height, crowned with a cross-bearing angel, the monument to Alexander I. There stand the Guards' Corps, and the huge building of the General Staff, containing the Ministries of Finance and of Foreign Affairs, and many things besides, originally erected by Katherine II. to mask the rears of the houses at the end of the Nevsky, and rebuilt under Nicholas I., sweeping in a magnificent semicircle opposite the Winter Palace. Regiments restrain the zeal of the crowd to obtain the few posts of vantage from which the consecration of the waters is visible, and keep open a lane for the carriages of royalty, diplomats, and invited guests. They form part of the pageant, like the Empress's cream-colored carriage and the white horses and scarlet liveries of the Metropolitan. The crowd is devout and silent, as Russian crowds always are, except when they see the Emperor after he has escaped a danger, when they become vociferous with an animation which is far more significant than it is in more noisy lands. The ceremony over, the throngs melt away rapidly and silently; pedestrians, Finnish ice-sledges, traffic in general, resume their rights on the palace sidewalks and the square, and after a state breakfast the Emperor drives quietly home, unguarded, to his Anitchkoff Palace.

If we glance to our left, and slightly to our rear, as we stand thus facing the Neva and the Admiralty, we see the Prefecture and the Ministry of War, the latter once the mansion of a grandee in the last century; and, rising above the latter, we catch a glimpse of the upper gallery, and great gold-plated, un-Russian dome, of St. Isaac's Cathedral, which is visible for twenty miles down the Gulf of Finland. The granite pillars glow in the frosty air with the bloom of a Delaware grape. We forgive St. Isaac for the non-Russian character of the modern ecclesiastical glories of which it is the exponent, as we listen eagerly to the soft, rich, boom-boom-bo-o-om of the great bourdon, embroidered with silver melody by the multitude of smaller bells chiming nearly all day long with a truly orthodox sweetness unknown to the Western world, and which, to-day, are more elaborately beautiful than usual, in honor of the great festival. We appreciate to the full the wailing cry of the prisoner, in the ancient epic songs of the land: "He was cut off from the light of the fair, red sun, from the sound of sweet church-bells."

On the great Palace Square another characteristic sight is to be seen on the nights of Court balls, which follow the Jordan, when the blaze of electric light from the rock-crystal chandeliers, big as haystacks, within the state apartments, is supplemented by the fires in the heater and on the snow outside, round which the waiting coachmen warm themselves, with Rembrandtesque effects of chiaro-oscuro second only to the picturesqueness of dvorniki in their nondescript caps and shaggy coats, who cluster round blazing fagots in less aristocratic quarters when the thermometer descends below zero.

When spring comes with the magical suddenness which characterizes Northern lands, the gardens, quays, and the Nevsky Prospekt still preserve their charms for a space, and are thronged far into the night with promenaders, who gaze at the imperial crowns, stars, monograms, and other devices temporarily applied to the street lanterns, and the fairy flames on the low curb-posts (whereat no horse, though unblinded, ever shies), with which man attempts, on the numerous royal festival days of early summer, to rival the illumination of the indescribably beautiful tints of river and sky. But the peasant-izvostchik goes off to the country to till his little patch of land, aided by the shaggy little farm-horse, which has been consorting on the Prospekt with thoroughbred trotters all winter, and helping him to eke out his cash income, scanty at the best of times; or he emigrates to a summer resort, scorning our insinuation that he is so unfashionable as to remain in town. The deserted Prospekt is torn up for repairs. The merchants, especially the goldsmiths, complain that it would be true economy for them to close their shops. The annual troops of foreign travelers arrive, view the lovely islands of the Neva delta, catch a glimpse of the summer cities in the vicinity, and dream, ah, vain dream! that they have also really beheld the Nevsky Prospekt, the great avenue of the realm of the Frost King and the White Tzar! [2]