"Murder at the Opera" - читать интересную книгу автора (Truman Margaret)

TWO

Mac Smith sometimes thought that if he were president of the university, he would ban all faculty meetings. Occasionally, a meeting went smoothly, accomplished something, and consumed a minimal amount of time, but that was the twice-a-year exception rather than the rule. It all depended, of course, on who chaired the meeting. This day it was the new dean of the law school, a nice enough fellow with impressive credentials-and a tendency to posture. Had there been a fireplace in the room, Mac was certain that the dean would lean an elbow on the mantel and smoke a pipe, allowing for photographs, had smoking been allowed.

The meeting lasted forty-five minutes, thirty-one minutes longer than was necessary to cover the agenda. Mac was first out the door, closely followed by John Renwick, a teaching colleague who shared Mac’s abhorrence of wasted time. Renwick came into Mac’s office, tossed his briefcase on a small couch, and said, “Did anything useful come out of this, or did I miss something?”

Mac laughed as he opened the drapes that covered his only window and raised the blinds. “Scuzzy day out there,” he said. He turned to face Renwick. “We just learned from our new leader,” he said, “that someone on Capitol Hill, obviously of the right-wing variety, is considering convening a committee to investigate whether young attorneys being turned out by esteemed institutions like ours need a better grounding in old-fashioned legal principles; translation, more conservative ones. Our leader wants to be on the record as having heeded the call and explored with his faculty this alleged problem-which, of course, isn’t a problem. What’s new with you?”

“Not a lot. Lois wonders whether you and Annabel are free tonight for dinner, a last-minute thing. A college buddy of mine and his wife blew into town, also last-minute. Haven’t seen him in years. You’d enjoy him. He’s-”

“No can do,” Mac said, “but thanks anyway. Prior engagement. I’m being fitted for a loincloth.”

“What?”

“Annabel has ensnared me in this opera project cooked up by Public Affairs. I’m going to be an extra in Tosca.”

“I think that’s wonderful,” said Renwick, mirth in his voice. “You do have good legs.”

“I suggest you leave it right there, my friend.”

“I envy you,” Renwick said. “I love opera. You’ll be in heady company, Mac. Our leader is donning a loincloth, too, isn’t he?”

“So I hear.”

“Well,” said Renwick, retrieving his briefcase, “good luck. By the way, you won’t be an ‘extra’ in the cast. Extras in opera are called ‘supers’-supernumeraries-supernumerárius in Latin.”

“I know, but I prefer plain old ‘extra,’ for the same reason I refuse to play that pretentious game at Starbucks of calling a medium-size coffee a grande. I always ask for a medium coffee when I go there, which isn’t often. I make better coffee than they do and it doesn’t cost me the month’s mortgage.”

“We have to make our stands where we find them,” Renwick said, laughing and shaking his head. “I was a spear carrier in an opera while working my way through college. Aida. Loved it. Sorry you can’t make dinner. Another time. Give my best to Annabel.” He left the office, closing the door behind him.

Mac spent the next few hours fine-tuning a lecture on habeas corpus he would deliver that afternoon, taking a break from time to time to think about less solemn subjects, namely Annabel, dear sweet Annabel, who’d entered his life a year after having lost his wife and son and giving him a reason to live again. That she was a beautiful woman was beyond debate, hair the color of Titian copper, fair unblemished skin, and a figure that was at once sleek and voluptuous. He needed only to look at her in dark moments to feel his emotional tide rise. Wrapped in that package was a vigorous, surprisingly poetic mind (for a lawyer) that was seldom swayed by trivial or self-serving manipulations. That she’d readily agreed to make him her first and only husband awed him at times. Sometimes you do, indeed, get lucky.

Although they’d structured their married life to maximize time alone together, they were wise enough to know that too much togetherness could prove to be detrimental, and so they pursued the things they loved aside from each other, she her gallery and participation in a few selected arts institutions, he his tennis matches despite an increasingly bothersome knee, consulting commitments to an occasional government agency, and a twice-a-month poker game.

The Washington National Opera was Annabel’s latest involvement. A couple with whom they were friendly-husband and wife both ardent opera lovers-had tried to entice Mac and Annabel into buying season tickets at the Kennedy Center. As much as Annabel would have enjoyed having her husband escort her to the productions, she knew she would be unsuccessful, and contented herself with buying a single season ticket and accompanying their friends. She hadn’t been steeped in opera up until that point, and wasn’t sure she would find it as enjoyable as they did. But after that first season of five lavishly staged and magnificently performed productions, she was hooked, and not only couldn’t wait for the next season to arrive, she became active with WNO itself, contributing a substantial sum of money and becoming a member of the Medici Society, one of many organizations devoted to sustaining and enhancing the company’s financial and artistic goals. After two years of fund-raising and softly suggesting artistic visions and practical ideas to the company, she was surprised and flattered to be offered a seat on WNO’s board, which she readily accepted. At the moment, she was immersed in plans for the annual Opera Ball, one of Washington ’s premiere formal fundraising events.

Mac was pleased with his wife’s commitment and offered his steady encouragement. Of course, Annabel continued to try to cajole him into becoming involved, too, but he remained steadfast: “You don’t play poker with me,” he said, “and I don’t go to the opera with you.” And thus it remained, although the number of CDs grew rapidly, and the apartment was frequently awash with classic recordings, which Mac found increasingly enjoyable, particularly the works of Mozart, Puccini, and Richard Strauss.

“You love the recorded music,” Annabel would say after he’d commented favorably on a new recording she’d brought into their home.

“Why not enjoy it in person?”

“Maybe next year,” he would say.

And she would say, “You said that last year.”

This was this year, and he would finally be going to the opera, not in black tie but in a costume of sorts, and makeup, onstage, for the world to see, including his students, fellow faculty members, and close friends. The thought made him wince and sent him back to the more pleasant and not quite unrelated topic of habeas corpus.