"I Am Number Four" - читать интересную книгу автора (Lore Pittacus)WELCOME TO PARADISE, OHIO POPULATION 5,243"Wow," I say. "This place is even smaller than where we stayed in Montana." Henri is smiling. "Who do you think it's paradise for?" "Cows, maybe? Scarecrows?" We pass by an old gas station, a car wash, a cemetery. Then the houses begin, clapboard houses spaced thirty or so feet apart. Halloween decorations hang in the windows of most of them. A sidewalk cuts through small yards leading to the front doors. A traffic circle sits in the center of town, and in the middle of it is a statue of a man on horseback holding a sword. Henri stops. We both look at it and laugh, though we're laughing because we hope no one else with swords ever shows up here. He continues around the circle and once we're through it, the dashboard GPS system tells us to make a turn. We begin heading west, out of town. We drive for four miles before turning left onto a gravel road, then pass open cut fields that are probably full of corn in the summer, then through a dense forest for about a mile. And then we find it, tucked away in overgrown vegetation, a rusted silver mailbox with black lettering painted on the side of it that reads 17 OLD MILL RD. "The closest house is two miles away," he says, turning in. Weeds grow throughout the gravel drive, which is littered with potholes filled with tawny water. He comes to a stop and turns the truck off. "Whose car is that?" I ask, nodding to the black SUV Henri has just parked behind. "I'm assuming the real-estate agent's." The house stands silhouetted by trees. In the dark there is an eerie look to it, like whoever last lived in it was scared away, or was driven away, or ran away. I get out of the truck. The engine ticks and I can feel the heat coming off of it. I grab my bag from the bed and stand there holding it. "What do you think?" Henri asks. The house is one story. Wooden clapboard. Most of the white paint has been chipped away. One of the front windows is broken. The roof is covered with black shingles that look warped and brittle. Three wooden stairs lead to a small porch covered with rickety chairs. The yard itself is long and shaggy. It's been a very long time since the grass was last mowed. "It looks like Paradise," I say. We walk up together. As we do, a well-dressed blond woman around Henri's age comes out of the doorway. She's wearing a business suit and is holding a clipboard and folder; a BlackBerry is clipped to the waist of her skirt. She smiles. "Mr. Smith?" "Yes," says Henri. "I'm Annie Hart, the agent from Paradise Realty. We spoke on the phone. I tried calling you earlier but your phone seemed to be turned off." "Yes, of course. The battery unfortunately died on the way here." "Ah, I just hate when that happens," she says, and walks towards us and shakes Henri's hand. She asks me my name and I tell her, though I am tempted, as I always am, to just say "Four." As Henri signs the lease she asks me how old I am and tells me she has a daughter at the local high school about my age. She's very warm, friendly, and clearly loves to chat. Henri hands the lease back and the three of us walk into the house. Inside most of the furniture is covered with white sheets. Those that aren't covered are coated with a thick layer of dust and dead insects. The screens in the windows look brittle to the touch, and the walls are covered with cheap plywood paneling. There are two bedrooms, a modest-sized kitchen with lime green linoleum, one bathroom. The living room is large and rectangular, situated at the front of the house. There's a fireplace in the far corner. I walk through and toss my bag on the bed of the smaller room. There is a huge faded poster of a football player wearing a bright orange uniform. He's in the middle of throwing a pass, and it looks like he's about to get crushed by a massive man in a black and gold uniform. It says BERNIE KOSAR, QUARTERBACK, CLEVELAND BROWNS. "Come say good-bye to Mrs. Hart," Henri yells from the living room. Mrs. Hart is standing at the door with Henri. She tells me I should look for her daughter at school, that maybe we could be friends. I smile and say yes, that would be nice. After she leaves we immediately start unpacking the truck. Depending on how quickly we leave a place, we either travel very lightly-meaning the clothes on our back, Henri's laptop and the intricately carved Loric Chest that goes everywhere with us-or we bring a few things-usually Henri's extra computers and equipment, which he uses to set up a security perimeter and search the web for news and events that might be related to us. This time we have the Chest, the two high-powered computers, four TV monitors, and four cameras. We also have some clothes, though not many of the clothes we wore in Florida are appropriate for life in Ohio. Henri carries the Chest to his room, and we lug all of the equipment into the basement, where he'll set it up so no visitors will see it. Once everything is inside, he starts placing the cameras and turning on the monitors. "We won't have the internet here until the morning. But if you want to go to school tomorrow, I can print all of your new documents for you." "If I stay will I have to help you clean this place and finish the setup?" "Yes." "I'll go to school," I say. "Then you better get a good night's sleep." |
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