"The Moghul" - читать интересную книгу автора (Hoover Thomas)

CHAPTER TWELVE

The moon was high, bathing the sleeping veranda in a wash of glistening silver, and the air was deliciously moist, heavy with perfume from the garden below. From somewhere among the distant rooftops came the thread of a man's voice, intoning a high-pitched melody, trilling out wordless syllables like some intense poetry of sound.

Hawksworth leaned back against one of the carved juniper-wood posts supporting the canopy above his sleeping couch and explored Kali's body with his gaze, as a mariner might search a map for unknown islands and inlets. She lounged opposite him, resting against an oblong velvet bolster, examining him with half-shut eyes while she drew contentedly on a hookah fired with black tobacco and a concentrated bhang the Arabs called hashish.

Her hair hung loose, in gleaming black strands reaching almost to her waist, and her head was circled by a thin tiara of gold and pearls, supporting the large green emerald that always hung suspended in the center of her forehead-even when she made love. The gold she wore-long bracelets at her wrists and upper arms, swinging earrings, even tiny bells at her ankles-seemed to excite her in a way Hawksworth could never understand. Her eyes and eyebrows were kohl-darkened and her lips carefully painted a deep red, matching the color of her fingernails and toenails. And as always she had dyed her palms and the soles of her feet red with henna. Four different strands of pearls hung in perfect array beneath her transparent blouse, glistening white against her delicate, amber-tinted skin. He noticed, too, that her nipples had been rouged, and told himself this was the only thing about her that recalled the women in London.

"Tonight your thoughts were far away, my love. Do you weary of me so soon?" She laid aside the rome-chauri, the rubber ring impregnated with powdered hair that she often asked him to wear for her, then took a vial of rose attar from beside the couch and dabbed herself absently along the arms. "Tell me the truth. Are you now beginning to recoil from women, like so many bragging and posturing men I've known, and to long for a boy who fears to seek his own pleasure? Or a subservient feringhi woman whose parts are dry from lack of desire?"

Hawksworth studied her for a moment without replying. In truth he did not know what to say. Your nightly visits to this couch have been the most astonishing experience of my life. To imagine I once thought being with the same woman night after night would eventually grow monotonous. But you always come here as someone different, always with something new. You play on my senses like an instrument-with touch, with scent, with tongue. Until they seem to merge with my mind. Or is it the reverse? But you're right when you say the mind must surrender itself first. When that's done, when the mind is given up to the body, then you somehow forget your own self and think only of the other. And eventually there grows a union of pleasure, a bond that's intense, overwhelming.

But tonight he could not repress his vagrant mind. His feeling of failure churned too deep. It had stolen his spirit.

Day after tomorrow the Discovery weighs anchor, he told himself, with half the cargo we'd planned and twice the men she needs, while the Resolve slowly breaks apart on a sandbar. I've failed the Company… and myself. And there's nothing that can be done. Kali, dear Kali. The woman I really want to be with tonight is Shirin. Why can't I drive her from my mind? Half the time when you're in my arms, I pretend you're her. Do you sense that too?

"I'm sorry. I'm not myself tonight." You're right as always, he marveled, the mind and the body are one. As he paused, the singer's voice cut the stillness between them. "How did you know?"

"It's my duty as your courtesan to feel your moods. And to try to lift the weight of the world from your heart."

"You do it very well. It's just that sometimes there's too much to lift." He studied her, wondering what she was really thinking, then leaned back and looked at the stars. "Tell me, what do you do when the world weighs on you!"

"That's never your worry, my love. I'm here to think of you, not you of me."

"Tell me anyway. Say it's a feringhi's curiosity."

"What do I do?" She smiled wistfully and drew again on the hookah, sending a tiny gurgle into the quiet. "I escape with bhang. And I remember when I was in Agra, in the zenana."

She lay aside the mouthpiece of the hookah and began to roll betel leaves for them both, carefully measuring in a portion of nutmeg, her favorite aphrodisiac.

"Tell me how you came to be here, away from Agra."

"Is it really me you wish to hear about?" She looked at him squarely, her voice quiet. "Or is it Shirin?"

"You," Hawksworth lied, and absently stroked the edge of her foot, where the henna line began. Then he looked into her dark eyes and he knew she knew.

"Will we make love again if I tell you?"

"Possibly."

"I know how to make you keep your promise." She took his toe in her mouth and brushed it playfully with her tongue before biting it, ever so lightly. "So I will tell you anything you want to know."

He scarcely knew where to start. "What was it about the harem, the zenana, that you liked so much?"

She sighed. "We had everything there. Wine and sweet bhang. And we bribed the eunuchs to bring us opium and nutmeg and tobacco. We could wear tight trousers, which none of the women here in Surat dare for fear the mullahs will condemn them." As she spoke, her eyes grew distant. "We wore jewels the way women in Surat wear scarves. And silks from China the way they wear their dreary cotton here. There was always music, dance, pigeon-flying. And we had all the perfumes-musk, scented oil, attar of rose-we could want. The Moghul had melons brought by runner from Kabul, pomegranates and pears from Samarkand, apples from Kashmir, pineapples from Goa." She remembered herself and reached to place a rolled betel leaf in his mouth. "About the only thing we weren't supposed to have was cucumbers…" She giggled and took a betel leaf for herself. "I think His Majesty was afraid he might suffer in comparison. But we bribed the eunuchs and got them anyway. And we also pleasured each other."

Hawksworth studied her, not quite sure whether to believe it all. "I've heard the harems of the Turks in the Levant are said to be like some sort of prison. Was it like that?"

"Not at all." She smiled easily. A bit too easily, he thought. "We used to take trips to the countryside, or even go with His Majesty when he went to Kashmir in the hot summer. In a way we were freer than the poor third wife of some stingy merchant."

"But weren't you always under guard?"

"Of course. You know the word 'harem' is actually Arabic for 'forbidden sanctuary.' Here we call it by the Persian name zenana, but it's still the same. It's really a city of women. All cities must have guards. But we each received a salary and were like government officials, with our own servants. We each had our own apartment, immense and decorated with paintings and bubbling fountains at the door. Except there were no doors, since we were always supposed to be open to receive His Majesty."

"Wasn't there anything about it you didn't like?" He examined her skeptically. "It seems to me I could list a few drawbacks."

"A few things. I didn't like the intrigues. All the women scheming how to lure His Majesty to their apartment, and giving him aphrodisiacs to try to prolong his time there. The beautiful ones were constantly afraid of being poisoned, or spied on by the older women and the female slaves. And some of the women were always trying to bribe eunuchs to bring in young men disguised as serving-women." She took the stem of a flower and began to weave it between his toes. "But there are always intrigues anywhere. It's the price we pay for life."

"You've never told me how you came to be in the zenana in the first place. Were you bought, the way women are in the Levant?"

Kali burst into laughter. "Feringhis can be such simpletons sometimes. What wonderful legends must be told in this place called Europe." Then she sobered. "I was there because my mother was very clever. The zenana is powerful, and she did everything she could to get me there. She knew if His Majesty liked me, there could be a good post for my father. She planned it for years. And when I finally reached fifteen she took me to the annual mina bazaar that Arangbar always holds on the Persian New Year, just like his father Akman did."

"What's that?"

"It's a mock 'bazaar' held on the grounds of the palace, and only women can go. Anyone who wants to be seen by His Majesty sets up a stall, made of silk and gauze, and pretends to sell handiwork, things like lace and perfume. But no woman can get in who isn't beautiful."

"Was that where the Moghul first saw you?"

"Of course. Arangbar came to visit all the stalls, riding around on a litter that some Tartar women from the zenana carried, surrounded by his eunuchs. He would pretend to bargain for the handiwork, calling the women pretty thieves, but he was really inspecting them, and the daughters they'd brought. I was there with my mother, and I wore a thin silk blouse because my breasts were lovely." She paused and looked at him hopefully, brushing a red-tipped finger across one nipple. "Don't you think they still are? A little?"

"Everything about you is beautiful." It was all too true. As he looked at her, he told himself he much preferred her now to how she must have looked at fifteen.

"Well, I suppose Arangbar must have thought so too, because the next day he sent a broker to pay my mother to let me come to the zenana."

Hawksworth paused, then forced nonchalance into his voice. "Did Shirin, or her mother, do the same?"

"Of course not." Kali seemed appalled at the absurdity of the idea. "She's Persian. Her father was already some kind of official. He was far too dignified to allow his women to go to the mina bazaar. The Moghul must have seen her somewhere else. But if he wanted her, her father could not refuse."

"What eventually happened to you… and to her?"

"She became his favorite." Kali took out her betel leaf and tossed it aside. "That's always very dangerous. She was in great trouble after the queen came to Agra."

"I've heard something about that." He found himself wanting to hear a lot more about it, but he held back. "And what happened to you after you entered the zenana?"

"His Majesty only came to me once, as was his duty." She laughed but there was no mirth in her voice. "Remember I was only fifteen then. I knew nothing about lovemaking, though I tried very hard to please him. But by that time he was already entranced with Shirin. He began to call for her almost every afternoon."

"So what did you do after that?"

"I began to make love to the other women there. I suppose it sounds strange to you, but I found I actually enjoyed other women's bodies very much."

"Weren't you ever lonely?"

"A little. But I'm lonely here sometimes too." She paused and looked away. "A courtesan is always lonely. No man will ever truly love her. He'll listen to her sing to him and joke with him, but his heart will never be hers, regardless of all the sweet promises he'll think to make her."

Hawksworth watched her quickly mask the sadness in her eyes as she reached for the hookah. At that moment he wanted more than anything in the world to tell her it wasn't always true, but he knew she would hate the lie. Instead he took out his own betel leaf and cleared his throat awkwardly.

"You've never told me how you came to be called Kali. Mukarrab Khan said that's not your real name."

She looked at him and her eyes became ice. "He's a truly vicious man. What did he say?"

"That you would tell me." He paused, bewildered. "Don't you want to?"

She wiped her eyes with a quick motion. "Why not? You may as well know. Before someone else tells you. But please try to understand I was very lonely. You can't know how lonely it becomes in the zenana. How you long for a man to touch you, just once. You can't imagine. After a while you become… sort of mad. It becomes your obsession. Can you understand? Even a little?"

"I've seen men at sea for months at a time. I could tell you a few stories about that that might shock you."

She laughed. "Nothing, absolutely nothing, shocks me any more. But now I'll shock you. There was this beautiful eunuch who guarded the zenana at night. He was Abyssinian, very tall and striking, and he was named Abnus because he was the color of ebony. He was truly exquisite."

"A eunuch?" Hawksworth stared at her, disbelieving. "I always thought…"

She stopped him. "I probably know what you always thought. But eunuchs are not all the same. The Bengali eunuchs like Mukarrab Khan has were sold by their parents when they were very young, and they've had everything cut away with a razor. Muslim merchants buy boys in Bengal and take them to Egypt, where Coptic monks specialize in the operation. That's the type called sandali. They even have to pass water through a straw. But the operation is so dangerous few of the boys live, so they're very expensive. Abnus had been sent to His Majesty as a gift from some Arab merchant, who was so stingy he simply crushed the testicles of one of his grown slaves instead of buying a Bengali boy. No one realized Abnus could still do almost everything any man can do. It was our secret."

"So you made love to a eunuch?" Hawksworth found himself incredulous.

Kali smiled and nodded. "Then one day our Kashmiri ward servant entered my apartment unannounced. She had suspected us. I didn't know until that moment she was a spy for the palace." She stopped and a small shiver seemed to pass through her. "We were both condemned to death. I didn't care. I didn't want to live anyway. He was killed the next day, left on a pike to die in the sun."

Kali paused and her lips quivered slightly. Then she continued. "I was buried up to the neck in the courtyard. To watch him die. Then, in late afternoon some Imperial guards came and uncovered me. And they took me back into the palace. I was delirious. They took me into this room, and there she was."

"Who?"

"Queen Janahara. She offered me a chance to live. I didn't know what I was doing, where I was, anything. Before I thought I'd already agreed." At last a tear came. "And I've never told anyone. I'm so ashamed." She wiped her eyes and stiffened. "But I've never done what I told her I would do. Not once."

"What was that?"

Kali looked at him and laughed. "To come here with Mukarrab Khan. And spy on Shirin. So now and then I just send some silly nonsense to Her Majesty. I know what Shirin is doing… and I admire her for it."

Hawksworth tried to keep his voice even. "What exactly is it she's doing?"

Kali stopped abruptly and stared at him. "That's the one thing I can't tell you. But I will tell you that I'm now also supposed to be spying on you too, for Khan Sahib." She laughed again. "But you never say anything for me to report."

Hawksworth found himself stunned. Before he could speak, she continued.

"But you asked about my name. It's probably the real reason I despise Janahara so much. Before, I was named Mira. My father was Hakim Ali, and he came to India from Arabia back when Akman was Moghul. But the queen said I could never use those names again. She said that because I'd caused Abnus' death, she was renaming me Kali, the name the Hindus have for their bloodthirsty goddess of death and destruction. She said it would remind me always of what I'd done. I hate the name."

"Then I'll call you Mira."

She took his hand and brushed it against her cheek. "It doesn't matter now. Besides, I'll probably never see you again after tonight. Tomorrow you'll be getting ready to leave for Agra. Khan Sahib told me I'm not to come to you any more after this. I think he's very upset about something that happened with your ships."

"I'm very upset about it too." Hawksworth studied her. "What exactly did he say?"

"No, I've told you enough already. Too much." She pinched his toe. "Now. You will keep your promise, my love. And then after tonight you can forget me."

Hawksworth was watching her, entranced. "I'll never forget you."

She tried to smile. "Oh yes you will. I know men better than that. But I'll always remember you. When a man and a woman share their bodies with each other, a bond is made between them. It's never entirely forgotten, at least by me. So tonight, our last night, I want you to let me give you something of mine to keep."

She reached under the couch and withdrew a box, teakwood and trimmed in gold. She placed it on the velvet tapestry between them.

"I've never shown this to a feringhi before, but I want you to have it. To make you remember me, at least for a while."

"I've never had a present from an Indian woman before." Hawksworth carefully opened the box's gold latch. Inside was a book, bound in leather and gilded, with exquisite calligraphy on its cover.

"It's called the Ananga-Ranga, the Pleasures of Women. It was written over a hundred years ago by a Brahmin poet who called himself Kalyana Mai. He wrote it in Sanskrit for his patron, the Viceroy of Gujarat, the same province where you are now."

"But why are you giving it to me?" Hawksworth looked into her eyes. "I'll remember you without a book. I promise."

"And I'll remember you. You've given me much pleasure. But there are those in India who believe the union of man and woman should be more than pleasure. The Hindus believe this union is an expression of all the sacred forces of life. You know I'm not a Hindu. I'm a Muslim courtesan. So for me lovemaking is only to give you pleasure. But I want you to know there's still more, beyond what we've had together, beyond my skills and knowledge. According to the Hindu teachings, the union of male and female is a way to reach the divine nature. That's why I want you to have this book. It describes the many different orders of women, and tells how to share pleasure with each. It tells of many things beyond what I know."

She took the leatherbound copy of the Ananga-Ranga and opened it to the first page. The calligraphy was bold and sensuous.

"In this book Kalyana Mai explains that there are four orders of women. The three highest orders he calls the Lotus Woman, the Art Woman, and the Conch Woman. The rest he dismisses as Elephant Women."

Hawksworth took the book and examined its pages for a time. There were many paintings, small colored miniatures of couples pleasuring one another in postures that seemed astounding. Finally he mounted his courage.

"Which 'order' of woman are you?"

"I think I must be the third order, the Conch Woman. The book says that the Conch Woman delights in clothes, flowers, red ornaments. That she is given to fits of amorous passion, which make her head and mind confused, and at the moment of exquisite pleasure, she thrusts her nails into the man's flesh. Have you ever noticed me do that?"

Hawksworth felt the scratches along his chest and smiled. Only in India, he thought, could you make love so many ways, all kneeling before a woman rather than lying with her. So she scratches you on the chest.

"So far it sounds a bit like you."

"And it says the Conch Woman's love cleft, what the Hindus call her yoni, is always moist with kama salila, the woman's love seed. And its taste is salt. Does that also remind you of me?"

Hawksworth was startled with wry delight when he realized he actually knew the answer. Something he'd never had the slightest desire to know about a woman in England.

In England. Where baths were limited to the face, neck, hands, and feet-and those only once every few weeks. Where women wore unwashed petticoats and stays until they literally fell off. Where a member of the peerage was recently quoted as complaining "the nobler parts are never in this island washed by the women; they are left to be lathered by the men."

But Kali was scrubbed and perfumed each day like a flower. And she had taught him the pleasure in the taste of all her body.

"I guess that makes you a Conch Woman. But what are the others supposed to be like?"

"Let me tell you what it says." She reached and took back the book. "The next one, the Art Woman, has a voice like a peacock, and she delights in singing and poetry. Her carnal desire may be less strong than the Conch Woman, at least until she's properly aroused, but then her kama salila is hot, with a perfume like honey. And it's abundant, producing a sound with the act of union. She is sensuous, but for her lovemaking is always a kind of art."

"Who would be an Art Woman?"

She looked at him and smiled wryly. "I think Shirin, the one who fascinates you so much, may well be an Art Woman. But I don't know her body well."

But I will, Hawksworth told himself. I'll know all of her. Somehow. I swear it.

"And what about the Lotus Woman?"

"According to Kalyana Mai she's actually the highest order of woman. She's a spiritual being, who loves to converse with teachers and Hindu priests. She's always very beautiful, never dark, and her breasts are full and high. Her yoni is like an opening lotus bud and her kama salila is perfumed like a lily newly burst."

"And who would be a Lotus Woman?"

"The only one I've ever known for sure is in Agra now. She's a classical dancer, a Hindu temple dancer. Her name is Kamala."

"I saw a few dancers recently. At the Shahbandar's estate house. In my feringhi opinion they weren't of a very high order."

"Those were nautch girls, common whores. They degrade and debase the classical dance of India for the purpose of enticing customers. Kamala is nothing like them. She's a great artist. For her the dance, and lovemaking, are a kind of worship of the Hindu gods. I don't entirely understand it, but I could sense her power the one time I saw her dance. When I saw her I began to believe what people say, that she embodies the female principle, the divine female principle that defines India for the Hindu people. Believe me when I tell you she's very different from anyone here in Surat. She knows things that no one else knows. People say they're explained in a very old book she has."

"How can there possibly be any more to know?" Hawksworth thought of the hundreds of pleasure tricks Kali had taught him, delights unknown in Europe. "What's left to put in this other book?"

"Her book is one I've never actually seen. I've only heard about it. It's a sacred text of the Hindus', an ancient sutra, in which the union of man and woman are shown to be a way of finding your own divine natures, the God within you both. I'm told it's called the Kama Sutra, the Scripture of Love and Pleasure."

Hawksworth found himself beginning to be overwhelmed. "Maybe we'd better start with this book. What exactly does it say?"

"The Ananga-Ranga explains that each order of woman must be aroused, must be awakened to her pleasure, in a different way. At different times of day, with different caresses, different kinds of kisses and scratches and bites, different words, different embraces during union. It says if you learn to know women well, you will understand how to give and receive the greatest enjoyment with each."

"Is it really so complicated?"

"Now you're starting to sound like some Muslim men I know, who lock their women away and make love to boys, claiming women are insatiable. With desires ten times stronger than those of a man. But they're actually afraid of a woman, so they believe she's to be enjoyed quickly and as little as possible. They care nothing for her own pleasure. But a woman must be aroused to enjoy union to its fullest. That's why this book is so important. I happen to think you are one who cares about a woman's pleasure."

Hawksworth stroked her smooth leg mischievously, then took the book and gently laid it aside. "Tell me what it says about a Conch Woman. What have I been doing that's right and wrong?"

"The book says that the Conch Woman prefers union with a man in the third pahar of the night."

"When is that?"

"Time is counted in India by pahar. The day and the night are each divided into four pahars. The first pahar of the night would be between six and nine in the evening by feringhi time. The third pahar would be your hours between midnight and three in the morning. Is that not the very time I come to your couch?"

"That's convenient."

"It also says that on certain days of the moon, which it tells, the Conch Woman particularly enjoys having her body pressed with the nails of the man. Some days roughly, some days gently. And on certain days the embrace must be forceful, on certain days gentle. There are many special ways to touch and embrace a Conch Woman, and they are explained here. Also there are certain ways of kissing her, of biting her, of scratching her. For example, you may kiss her upper lip, or her lower lip, or you may kiss her with your tongue only."

"And how am I supposed to be able to kiss you with my tongue only?" Hawksworth cast a skeptical glance at the book.

"It's very easy." She smiled at him slyly. "Perhaps it's easier if I show you."

She took his lower lip gently with the tips of her fingers, passed her tongue over it slowly and languorously, and then suddenly nipped it playfully. He started in surprise.

"There. You see there are many ways to please a woman, to kiss her, to bite her, to scratch her. When you have become a true lover of women, my strong feringhi, you will know them all."

Hawksworth shifted uncomfortably. "What next?"

"The book also tells of the bodies of women. Foolish men often do not know these things, my love, but I think you are beginning to learn. It tells that in the upper cleft of the yoni there's a small organ it likens to a plantain-shoot sprouting from the ground. This is the seat of pleasure in a woman, and when it is excited, her kama salila flows in profusion."

"And then?"

"When the woman is ready, you may both enjoy the act of union to its fullest. And there are many, many ways this may be done. The book tells of thirty-two. It is the great wisdom of Kalyana Mai that a woman must have variety in her love couch. If she does not find this with one man, she will seek others. It is the same with men, I think."

Hawksworth nodded noncommittally, not wishing to appear overly enthusiastic.

"Finally, he tells the importance of a woman reaching her moment of enjoyment. If she does not, she will be unsatisfied and may seek pleasure elsewhere. In India, a woman is taught to signify this moment by the sitkrita, the drawing in of breath between the closed teeth. There are many different ways a woman may do this, but you will know, my love."

"Enough of the book." He took it and replaced it in the box. "Somehow I think I've already had a lot of its lessons."

"That was merely my duty to you. To be a new woman for you each night. And I think you've learned well." She took the box and settled it beside the couch. Then she laughed lightly. "But you still have a few things to learn. Tonight, for our last time together, I will show you the most erotic embrace I know." She examined him with her half-closed eyes, and drew one last burst of smoke from the hookah. Then she carefully positioned the large velvet bolster in the center of the couch. "Are you capable of it?"

"Try me."

"Very well. But I must be deeply aroused to enjoy this fully. Come and let me show you all the places you must bite."

The sun was directly overhead when Vasant Rao reined his iron-gray stallion to a halt at the Abidjan Gate. Behind him, beyond the grove of mango and tamarind trees, lay the stone reservoir of Surat. It was almost a mile in circumference, and he had chosen its far bank as campground for his Rajput guard. Accommodations in Surat were nonexistent during the season, and although he could have cleared a guest house with a single name, Prince Jadar, he had chosen to remain inconspicuous.

Through the dark bamboo slats of the gate he could now see the Englishman riding toward him, holding his Arabian mare at an easy pace. Vasant Rao studied the gait carefully. He had learned he could always judge the character of a man by observing that man's handling of a mount. He casually stroked his moustache and judged Brian Hawksworth.

The Englishman is unpracticed, yet there's an unmistakable sense of command about him. Not unlike the control the prince holds over a horse. He handles the mare almost without her knowing it, forcing discipline onto her natural gait. Perhaps our treacherous friend Mirza Nuruddin was right. Perhaps the Englishman will suit our requirements.

Vasant Rao remembered that Jadar had been insistent on the point.

"The English captain must be a man of character and nerve, or he must never reach Burhanpur. You need only be seen providing his guard as you depart Surat. If he's weak, like a Christian, he will not serve our needs."

The times ahead will be difficult enough, Vasant Rao told himself, without having to worry about the Englishman. The prince has been trapped in the south, and now there's news Inayat Latif and his troops are being recalled to Agra from Bengal. The queen will soon have at her right hand the most able general in the Moghul's army.

Vasant Rao turned his eyes from the Englishman to look again at his own Rajput guard, and his pride in them restored his spirit. Only Rajputs would have the courage to one day face the numerically superior troops of Inayat Latif.

The origin of the warrior clans who called themselves Rajputs, "sons of kings," was lost in legend. They had appeared mysteriously in western India over half a millennium before the arrival of the Moghuls, and they had royalty, and honor, in their blood. They had always demanded to be known as Kshatriya, the ancient Hindu warrior caste.

The men, and women, of the warrior Kshatriya clans lived and died by the sword, and maintained a timeless tradition of personal honor. Theirs was a profession of arms, and they lived by rules of conduct unvaried since India's epic age. A member of the warrior caste must never turn his back in battle, must never strike with concealed weapons. No warrior could strike a foe who was fleeing, who asked for mercy, whose own sword was broken, who slept, who had lost his armor, who was merely an onlooker, who was facing another foe. Surrender was unthinkable. A Rajput defeated in battle need not return home, since his wife would turn him out in dishonor for not having given his life. But if a Rajput perished with a sword in his hand, the highest honor, his wife would proudly follow him in death, joining his body on the funeral pyre. And many times, in centuries past, Rajput women themselves had taken up swords to defend the honor of their clain.

When they had no external foes, the Rajput clans warred among themselves, since they knew no other life. For convenience, each clan decreed its immediate neighboring clans its enemies, and an elaborate code was devised to justify war over even the smallest slight. Their martial skills were never allowed to gather rust, even if the cost was perpetual slaughter of each other.

Though they were divided among themselves, the Rajput clans had for centuries defended their lands from the Muslim invaders of India. Only with the coming of the great Moghul genius Akman was there a Muslim ruler with the wisdom to understand the Rajputs could be more valuable as allies than as foes. He abandoned attempts to subdue them, instead making them partners in his empire. He married Rajput princesses; and he used Rajput fighting prowess to extend Moghul control south and west in India.

The men with Vasant Rao were the elite of the dominant Chauhan clan, and all claimed descent from royal blood. They held strong loyalties, powerful beliefs, and absolutely no fear of what lay beyond death. They also were men from the northwest mountains of India, who had never before seen Surat, never before seen the sea, never before seen a feringhi.

But Vasant Rao had seen feringhi, when he had stood by the side of Prince Jadar in Agra, when Jesuit fathers had been called to dispute with Muslim mullahs before Arangbar. He had seen their tight, assured faces, and heard their narrow, intolerant views. Could this feringhi be any different?

Already he had witnessed the Englishman's nerve, and it had reminded him, curiously, of Jadar. The Englishman had refused to come to their camp, claiming this demeaned his office of ambassador. And Vasant Rao, representative of Prince Jadar, had refused to meet the Englishman inside Surat. Finally it was agreed that they would meet at the wall of the city, at the Abidjan Gate.

"Nimaste, Ambassador Hawksworth. His Highness, Prince Jadar, conveys his most respectful greetings to you and to the English king." Vasant Rao's Turki had been excellent since his boyhood, and he tried to remember the phrases Mirza Nuruddin had coached. Then he watched through the bamboo poles of the gate as Hawksworth performed a lordly salaam from horseback.

The gate opened.

"I am pleased to offer my good offices to you and your king," Vasant Rao continued, "in the name of His Highness, the prince. It is his pleasure, and my honor, to provide you escort for your journey east to Burhanpur. From there His Highness will arrange a further escort for the trip north to Agra."

"His Majesty, King James, is honored by His Highness' concern." Hawksworth examined the waiting Rajputs, his apprehension mounting. Their eyes were expressionless beneath their leather helmets, but their horses pawed impatiently. He found himself wondering if Mirza Nuruddin had contrived to provide more "help," and yet another surprise. "But my route is not yet decided. Although I'm grateful for His Highness' offer, I'm not certain traveling east on the Burhanpur road is best. His Excellency, Mukarrab Khan, has offered to provide an escort if I take the Udaipur road, north past Cambay and then east."

Vasant Rao examined Hawksworth, choosing his words carefully. "We have orders to remain here for three days, Captain, and then to return to Burhanpur. It would be considered appropriate by the prince, who has full authority to administer this province, if we rode escort for you."

Hawksworth shifted in the saddle.

This isn't an offer. It's an ultimatum.

"Is His Highness aware I have with me a large sea chest? It will require a cart, which I plan to hire. Perhaps the delay this will impose would inconvenience you and your men, since you surely prefer to ride swiftly."

"On the contrary, Captain. We will have with us a small convoy of supplies, lead for molding shot. We will travel at a pace that best suits us all. Your chest presents no difficulty."

But there will be many difficulties, he told himself. And he thought again about Mirza Nuruddin and the terms he had demanded. Twenty percent interest on the loan, and only a hundred and eighty days to repay both the new silver coin and the interest.

But why, Vasant Rao asked himself again, did the Shahbandar agree to the plan at all? Is this Mirza Nuruddin's final wager? That Jadar will win?

"Will three days be sufficient for your preparations, Captain Hawksworth?"

"It will. If I decide to use the Burhanpur road." Hawksworth wondered how long he could taunt the Raput.

"Perhaps I should tell you something about travel in India, Ambassador. There are, as you say, two possible routes between Surat and Agra. Both present certain risks. The northern route, through Udaipur and Rajputana, is at first appearance faster, since the roads are drier and the rivers there have already subsided from the monsoon. But it is not a part of India where travelers are always welcomed by the local Rajput clans. You may well find yourself in the middle of a local war, or the reluctant guest of a petty raja who judges you worth a ransom.

"On the other hand, if you travel east, through Burhanpur, you may find that some rivers are still heavy from the monsoon, at least for another month. But the clans there are loyal to Prince Jadar, and only near Chopda, halfway to Burhanpur, will you encounter any local brigands. Theirs, however, is an honorable profession, and they are always willing to accept bribes in return for safe passage. We ordinarily do not kill them, though we easily could, since petty robbery-they view it as a toll-is their livelihood and their tradition. They are weak and they make weak demands. Such is not true of the rajas in Rajputana. The choice is yours, but if you value your goods, and your life, you will join us as we make our way east to Burhanpur."

Hawksworth studied the bearded Rajput guards as Vasant Rao spoke.

I'm either a captive of the prince or of Mukarrab Khan, regardless of what I do. Which one wants me dead more?

"My frigate sails tomorrow. I can leave the following day."

"Good, it's agreed then. Our convoy will leave in three days. It will be my pleasure to travel with you, Captain Hawksworth. Your reputation has already reached His Highness. We will meet you here at the beginning of the second pahar. I believe that's your hour of nine in the morning." He smiled with a warmth that was almost genuine. "You should consider yourself fortunate. Few feringhi have ever traveled inland. You will find the interior far different from Surat. Until then."

He bowed lightly and snapped a command to the waiting horsemen. In moments they were lost among the trees.

"This evening must be a time of farewell for us both, Captain Hawksworth. You know, the Hindus believe life and death are an endless cycle that dooms them to repeat their miserable existence over and over again. I myself prefer to think that this one life is itself cyclical, ever renewing. What was new, exciting, yesterday is today tedious and tiresome. So tomorrow brings us both rebirth. For you it is Agra, for me Goa. But I expect to see Surat again, as no doubt do you. Who knows when our paths will cross once more?" Mukarrab Khan watched as a eunuch shoved wide the door leading onto the torchlit garden. "You have been a most gracious visitor, tolerating with exemplary forbearance my unworthy hospitality. Tonight perhaps you will endure one last evening of my company, even if I have little else left to offer."

The courtyard was a confused jumble of packing cases and household goods. Servants were everywhere, wrapping and crating rolled carpets, bolsters, furniture, vases, and women's clothing. Elephants stood near the back of the courtyard, howdahs on their backs, waiting to be loaded. Goods would be transferred to barks for the trip downriver to the bar, where they would be loaded aboard a waiting Portuguese frigate.

"My dining hall has been dismantled, its carpet rolled. We have no choice but to dine this evening in the open air, like soldiers on the march."

Hawksworth was no longer hearing Mukarrab Khan. He was staring past him, through the smoke, not quite believing what he saw. But it was all too real. Standing in the corner of the courtyard were two Europeans in black cassocks. Portuguese Jesuits.

Mukarrab Khan noticed Hawksworth's diplomatic smile suddenly freeze on his face, and turned to follow his gaze.

"Ah, I must introduce you. You do understand the Portuguese language, Captain?"

"Enough."

"I should have thought so. I personally find it abominable and refuse to study it. But both the fathers here have studied Persian in Goa, and I think one of them knows a bit of Turki, from his time in Agra."

"What are they doing here?" Hawksworth tried to maintain his composure.

"They returned to Surat just today from Goa, where they've been these past few weeks. I understand they're en route to the Jesuit mission in Lahore, a city in the Punjab, well to the north of Agra. They specifically asked to meet you." He laughed. "They're carrying no cannon, Captain, and I assumed you had no objection."

"You assumed wrong. I have nothing to say to a Jesuit."

"You'll meet Jesuits enough in Agra, Captain, at the Moghul's court. Consider this evening a foretaste." Mukarrab Khan tried to smile politely, but there was a strained look in his eyes and he fingered his jeweled ring uncomfortably. "You would favor me by speaking to them."

The two Europeans were now moving toward them, working their way through the swarm of servants and crates in the courtyard. The ruby-studded crucifixes they wore against their black cassocks seemed to shoot red sparks into the evening air. Mukarrab Khan urged Hawksworth forward apprehensively.

"May I have the pleasure to present Ambassador Brian Hawksworth, who represents His Majesty, King James of England, and is also, I believe, an official of England's East India Company.

"And to you, Ambassador, I have the honor to introduce Father Alvarez Sarmento, Superior for the Society of Jesus' mission in Lahore, and Father Francisco da Silva."

Hawksworth nodded lightly and examined them. Although Sarmento was aged, his face remained strong and purposeful, with hard cheeks and eyes that might burn through marble. The younger priest could not have been more different. His ruddy neck bulged from the tight collar of his cassock, and his eyes shifted uncomfortably behind his puffed cheeks. Hawksworth wondered absently how long his bloat-too much capon and port wine-would last if Mackintosh had him on the third watch for a month.

"You are a celebrated man, Captain Hawksworth." Father Sarmento spoke in flawless Turki, but his voice was like ice. "There is much talk of you in Goa. The new Viceroy himself requested that we meet you, and convey a message."

"His last message was to order an unlawful attack on my merchantmen. I think he still remembers my reply. Is he now offering to abide by the treaty your Spanish king signed with King James?"

"That treaty has no force in Asia, Captain. His Excellency has asked us to inform you that your mission to Agra will not succeed. Our fathers have already informed the Moghul that England is a lawless nation living outside the grace of the Church. Perhaps you are unaware of the esteem he now holds for our Agra mission. We have a church there now, and through it we have led many carnal-minded Moors to God. We have refuted the Islamic mullahs in His Majesty's very presence, and shown him the falsity of their Prophet and his laws. Indeed, it is only because of the esteem we have earned that he now sends an ambassador to the Portuguese Viceroy."

Before Hawksworth could respond, Father Sarmento suddenly reached out and touched his arm imploringly. "Captain, let me speak now not for the Viceroy, but for the Holy Church." Hawksworth realized with a shock that he was speaking English. "Do you understand the importance of God's work in this sea of damned souls? For decades we have toiled in this vineyard, teaching the Grace of God and His Holy Church, and now at last our prayers are near to answer. When Arangbar became Moghul, our Third Mission had already been here for ten long, fruitless years. We strove to teach the Grace of God to his father, Akman, but his damnation was he could never accept a single True Church. He would harken to a heathen fakir as readily as to a disciple of God. At first Arangbar seemed like him, save his failing was not ecumenicity. It was indifference, and suspicion. Now, after years of ignominy, we have secured his trust. And with that trust will soon come his soul." Sarmento paused to cross himself. "When at last a Christian holds the throne of India, there will be rejoicing at the Throne of Heaven. You may choose to live outside the Mystery of the Most Holy Sacrament, my son, but surely you would not wish to undo God's great work. I implore you not to go before the Moghul now, not to sow unrest in his believing mind with stories of the quarrels and hatreds of Europe. England was once in the bosom of the Holy Church, until your heretic King Henry; and England had returned again, before your last, heretic queen led you once more to damnation. Know the Church always stands with open heart to receive you, or any apostate Lutheran, who wishes to repent and save his immortal soul."

"I see now why Jesuits are made diplomats. Is your concern the loss of the Moghul's soul, or the loss of his trade revenues in Goa?" Hawksworth deliberately answered in Turki. "Tell your pope to stop trying to meddle in England's politics, and tell your Viceroy to honor our treaty and there'll be no 'quarrels' between us here."

"Will you believe my word, sworn before God, that I have told His Excellency that very thing? That this new war could destroy our years of work and prayer." Sarmento still spoke in English. "But he is a man with a personal vendetta toward the English. It is our great tragedy. The Viceroy of Goa, His Excellency, Miguel Vaijantes, is a man nourished by hatred. May God forgive him."

Hawksworth stood speechless as Father Sarmento crossed himself.

"What did you say his name was?"

"Miguel Vaijantes. He was in Goa as a young captain, and now he has returned as Viceroy. We must endure him for three more years. The Antichrist himself could not have made our cup more bitter, could not have given us a greater test of our Christian love. Do you understand now why I beg you in God's name to halt this war between us?"

Hawksworth felt suddenly numb. He stumbled past the aged priest and blindly stared into the torchlit courtyard, trying to remember precisely what Roger Symmes had said that day so many years ago in the offices of the Levant Company. One of the few things he had never forgotten from Symmes's monologue of hallucinations and dreams was the name Miguel Vaijantes.

Hawksworth slowly turned to face Father Sarmento and switched to English.

"I will promise you this, Father. If I reach Agra, I will never speak of popery unless asked. It honestly doesn't interest me. I'm here on a mission, not a crusade. And in return I would ask one favor of you. I would like you to send a message to Miguel Vaijantes. Tell him that twenty years ago in Goa he once ordered the death of an English captain named Hawksworth on the strappado. Tell him…"

The crash of shattering glass from the hallway of the palace severed the air between them. Then the heavy bronze door swung wide and Shirin emerged, grasping the broken base of a Chinese vase. Her eyes blazed and her disheveled hair streamed out behind her. Hawksworth thought he saw a stain on one cheek where a tear had trailed, but now that trail was dry. She strode directly to Mukarrab Khan and dashed the remainder of the vase at his feet, where it shattered to powder on the marble tiles of the veranda.

"That is my gift to the queen. You may send it with a message in your next dispatch. Tell her that I too am Persian, that I too know the name of my father's father, of his father's father, of his father's father, for ten generations. But unlike her, I was born in India. And it is in India that I will stay. She can banish me to the remotest village of the Punjab, but she will never send me to Goa. To live among unwashed Portuguese. Never. She does not have the power. And if you were a man, you would divorce me. Here. Tonight. For all to see. And I will return to my father, or go where I wish. Or you may kill me, as you have already tried to do. But you must decide."

Mukarrab Khan's face was lost in shock. The courtyard stood lifeless, caught in a silence more powerful than any Hawksworth had ever known. He looked in confusion at Father Sarmento, and the old Jesuit quietly whispered a translation of the Persian, his own eyes wide in disbelief. Never before had he seen a Muslim woman defy her husband publicly. The humiliation was unthinkable. Mukarrab Khan had no power to order her death. He had no choice but to divorce her as she demanded. But everyone knew why she was his wife. What would a divorce mean?

"You will proceed to Goa as my wife, or you will spend the rest of your days, and what little remains of your fading beauty, as a nautch girl at the port. Your price will be one copper pice. I will order it in the morning."

"His Majesty will know of it within a week. I have friends enough in Agra."

"As do I. And mine have the power to act."

"Then divorce me."

Mukarrab Khan paused painfully, then glanced down and absently whisked a fleck of lint from his brocade sleeve. "Which form do you wish?"

An audible gasp passed through the servants, and not one breathed as they waited for the answer. There were three forms of divorce for Muslims. The first, called a revocable divorce, was performed when a man said "I have divorced you" only once. He had three months to reconsider and reconcile before it became final. The second form, called irrevocable, required the phrase be repeated twice, after which she could only become his wife again through a second marriage ceremony. The third, absolute, required three repetitions of the phrase and became effective the day her next reproductive cycle ended. There could be no remarriage unless she had, in the interim, been married to another.

"Absolute."

"Do you 'insist'?"

"I do."

"Then by law you must return the entire marriage settlement."

"You took it from me and squandered it long ago on affion and pretty boys. What is left to return?"

"Then it is done."

Hawksworth watched in disbelief as Mukarrab Khan repeated three times the Arabic phrase from the Quran that cast her out. The two Jesuits also stood silently, their faces horrified.

Shirin listened impassively as his voice echoed across the stunned courtyard. Then without a word she ripped the strands of pearls from her neck and threw them at his feet. Before Mukarrab Khan could speak again, she had turned and disappeared through the doorway of the palace.

"In the eyes of God, Excellency, you will always be man and wife," Father Sarmento broke the silence. "What He has joined, man cannot rend."

A look of great weariness seemed to flood Mukarrab Khan's face as he groped to find the facade of calm that protected him. Then, with an almost visible act of will, it came again.

"Perhaps you understand now, Father, why the Prophet's laws grant us more than one wife. Allah allows for certain… mistakes." He forced a smile, then whirled on a wide-eyed eunuch. "Will the packing be finished by morning?"

"As ordered, Khan Sahib." The eunuch snapped to formality.

"Then see dinner is served my guests, or put my kitchen wallahs to the lash." He turned back to Hawksworth. "I'm told you met her once, Ambassador. I trust she was more pleasant then."

"Merely by accident, Excellency. While I was at the… in the garden."

"She does very little by accident. You should mark her well."

"Your counsel is always welcome, Excellency." Hawksworth felt his pulse surge. "What will she do now?"

"I think she will have all her wishes granted." He turned wearily toward the marble columns of the veranda. "You will forgive me if I must leave you now for a while. You understand I have further dispatches to prepare."

He turned and was gone. After a moment's pause, the despairing Jesuits trailed after.

And suddenly the courtyard seemed empty.

The waves curled gently against the shore, breaking iridescent over the staves of a half-buried keg. Before him the sea spread wide and empty. Only a single sail broke the horizon. His mare pawed impatiently, but Hawksworth could not bring himself to turn her back toward the road. Not yet. Only when the sail's white had blended with the sea did he rein her around and, with one last glance at the empty blue, give her the spur.

He rode briskly past the nodding palms along the shore, then turned inland toward Surat, through villages of thatch- roofed houses on low stilts. Women watched from the wide porches, sewing, nursing infants. After a time he no longer saw them, no longer urged the mare. His thoughts were filled with images from the tumultuous evening past.

He had paced the vacant rooms of the palace till the early hours of morning, his mind in turmoil. Sleep was never a possibility. When the courtyard at last grew still, he had slipped back into the garden, wanting its openness, the feel of its order. In the moonlight it lay deserted, and as he strolled alongside the bubbling fountain, he felt himself even more lost in this alien place, this alien land. The pilot Karim had been right. India had already unsettled him more than he thought he could bear.

In time he found himself wandering once more through the orchard, amid the wistful calls of night birds. The trees formed a roof of leafy shadows, cold and joyless as the moon above. Even then, all he could see was Shirin, poised defiant in the stark torchlight, taunting the queen. She had offered herself up to almost certain death, for reasons he scarcely comprehended.

Before he fully realized where he was, he looked up and saw the observatory. A tiny blinking owl perched atop the staircase, studying him critically as he approached. Around him the marble instruments glistened like silver, while ahead stood the stone hut, forlorn now, more ramshackle than he had ever remembered, more abandoned. He reflected sadly that it probably would soon be forgotten entirely. Who would ever come here again?

The door of the hut was sealed tightly and for a time he stood simply looking at it, trying to recall all that had passed inside. Finally he reached with a determined hand and pulled it wide.

Shirin stared up from the table in shock, grabbing the lamp as though to extinguish it. Then she recognized him in the flickering light.

"Why… why are you here?"

Before he could answer, she moved in front of the table, masking it from his view. "You should not have come. If you're seen…"

As his own surprise passed, he felt himself suddenly wanting to take her in his arms. "What does it matter now? You're divorced." The words filled him with momentary exhilaration, till he remembered the rest. "You're also in danger, whether I'm seen or not."

"That's my concern."

"What are you planning to do?"

"Leave. But I still have friends."

He reached out and took the lamp from her, to feel the touch of her hand. It was soft and warm. "Will I ever see you again?"

"Who knows what will happen now?" The wildness in her eyes was beginning to gentle. She moved back from the table and dropped into a chair. He realized it was the same chair she had sat in when telling him about the queen. On the table before her were piles of papers, tied into small, neat bundles. She examined him for a few moments in silence, then reached to brush the hair back from her eyes. "Did you come here just to see me?"

"Not really…" He stopped, then laughed. "I think maybe I did. I think I somehow knew you would be here, without realizing I knew. I've been thinking about you all night."

"Why?" Her voice quickened just enough for him to notice.

"I'm not sure. I do know I'm very worried about what may happen to you."

"No one else seems to be. No one will talk to me now, not even the servants. Suddenly I don't exist." Her eyes softened. "Thank you. Thank you for coming. It means you're not afraid. I'm glad."

"Why do you care whether I came or not?" He asked almost before realizing what he was saying.

She hesitated, and unconsciously ran her glance down his frame. "To see you one more time." He thought he saw something enter her eyes, rising up unbidden. "Don't you realize you've become very special for me?"

"Tell me." He studied her eyes in the lamplight, watching them soften even more.

"You're not like anyone I've ever known. You're part of something that's very strange to me. I sometimes find myself dreaming of you. You're… you're very powerful. Something about you." She caught herself, then laughed. "But maybe it's not really you I dream about at all. Maybe it's what you are."

"What do you mean?"

"You're a man, from the West. There's a strength about you I can't fully understand." He watched her holding herself in check.

"Go on."

"Maybe it's partly the way you touch and master the things around you." She looked at him directly. "Let me try to explain what I mean. For most people in India, the world that matters most is the world within. We explore the seas inside our own mind. And so we wait, we wait for the world outside to be brought to us. But for you the inner world seems secondary." She laughed again, and now her voice was controlled and even. "Perhaps I'm not explaining it well. Let me try again. Do you remember the first thing you did on your very first morning in the palace?"

"I walked out here, to the observatory."

"But why did you?"

"Because I'm a seaman, and I thought…"

"No, that's only partly the reason." She smiled. "I think you came to see it because it belongs to the world of things. Like a good European, you felt you must first and always be the master of things. Of ships, of guns, even of the stars. Maybe that's why I find you so strong." She paused, then reached out and touched his hand. The gesture had been impulsive, and when she realized what she'd done, she moved to pull it back, then stopped herself.

He looked at her in the lamplight, then gently placed his other hand over hers and held it firm. "Then let me tell you something. I find you just as hard to understand. I find myself drawn to something about you, and it troubles me."

"Why should it trouble you?"

"Because I don't know who you are. What you are. Even what you're doing, or why. You've risked everything for principles that are completely outside me." He looked into her eyes, trying to find words. "And regardless of what you say, I think you somehow know everything there is to know about me. I don't even have to tell you."

"Things pass between a man and woman that go beyond words. Not everything has to be said." She shifted her gaze away. "You've had great sadness in your life. And I think it's killed some part of you. You no longer allow yourself to trust or to love."

"I've had some bad experiences with trust."

"But don't let it die." Her eyes met his. "It's the thing most worthwhile."

He looked at her a long moment, feeling the tenderness beneath her strength, and he knew he wanted her more than anything. Before he thought, he had slipped his arm around her waist and drawn her up to him. He later remembered his amazement at her softness, her warmth as he pulled her body against his own. Before she could speak, he had kissed her, bringing her mouth full to his lips. He had thought for an instant she would resist, and he meant to draw her closer. Only then did he realize it was she who had come to him, pressing her body against his. They clung together in the lamplight, neither wanting the moment to end. At last, with an act of will, she pulled herself away.

"No." Her breath was coming almost faster than his own. "It's impossible."

"Nothing's impossible." He suddenly knew, with an absolute certainty, that he had to make her his own. "Come with me to Agra. Together…"

"Don't say it." She stopped his lips with her finger. "Not yet." She glanced at the papers on the table, then reached for his hand, bringing it to her moist cheek. "Not yet."

"You're leaving. So am I. We'll leave together."

"I can't." She was slipping from him. He felt it. "I'll think of you when you're in Agra. And when we're ready, we'll find each other, I promise it."

Before he knew, she had turned and gathered the bundles. When she reached for the lamp, suddenly her hand stopped.

"Let's leave it." She looked toward him. "Still burning." Then she reached out and brushed his lips with her fingertips one last time. He watched in dismay as she passed on through the doorway. In moments she was lost among the shadows of the orchard.