"Kant & Aesthetic Excellence" - читать интересную книгу автора (Gerwen Rob van)

Kant's Regulative Principle of Aesthetic Excellence: The Ideal Aesthetic Experience By Rob van Gerwen Dept. of Philosophy, Utrecht University, The Netherlands Introduction It is rather intriguing that we will often try to persuade people of what we find beautiful, even though we do not believe that they may subsequently base their judgement of taste on our testimony. Typically, we think that the experience of beauty is such that we cannot leave it to others to be had. Moreover, we are often aware of the contingency of our own judgements' foundation in our own experience. Nevertheless, we do think that certain aesthetic, evaluative conceptions do relate to specific experiences in a non- trivial way, especially that of aesthetic excellence. Now the discussion within analytical aesthetics concerning the question of what kinds of truth values adhere to aesthetic judgements of various kinds, has evident bearing on the problem of aesthetic experience's relevance for evaluation, because we may in the end
be better off evading the problem altogether by treating aesthetic values in objectivist ways, as natural properties, or as reducible to such properties, descriptions of which will then be true or false.1 However, I think that contrary to such an evasive account we would do better in elaborating the subjectivism that David Wiggins has defended, which does not deny the role played by objective properties, but which neither neglects the subjective import. He claims that aesthetic values are somehow a kind of relation, which is settled by an elaborate process of criticism and refinement of perceptions, and of the relevance of our feelings regarding specific natural properties.2 Clearly this account does not automatically explain any concrete application of an evaluative term to a particular event or thing although it may provide us with the means to do so: initially it is merely procedural. The argument in this paper suggests that the analysis of a paradagmatic pair, 'aesthetic excellence', provides us with interesting insights in the idea that our judgements of taste are founded upon an aesthetic experience.3 Now, regarding aesthetic experience we find that, apart from Wiggins' nominal account, only two rather unfortunate strategies appear to have been available to analytic philosophers. Either the notion of aesthetic experience is being dismissed because of its alleged non-specificity in comparison with more normal cognitive