"Brite, Poppy Z - Self-Made Man" - читать интересную книгу автора (Brite Poppy Z)

"Self-Made Man"

by

Poppy Z. Brite


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Justin had read Dandelion Wine seventeen times now, but he hated to see it end. He always hated endings.
He turned the last page of the book and sat for several minutes in the shadows of his bedroom, cradling the old thumbed paperback, marvelling at the world he held in his hands. The hot sprawl of the city outside was forgotten; he was still lost in the cool green Byzantium of 1928.

Within these tattered covers, dawning realization of his own mortality might turn a boy into a poet, not a dark machine of destruction. People only died after saying to each other all the things that needed to be said, and the summer never truly ended so long as those bottles gleamed down cellar, full of the distillate of memory.

For Justin, the distillate of memory was a bitter vintage. The summer of 1928 seemed impossibly long ago, beyond imagining, forty years before blasted sperm met cursed egg to make him. When he put the book aside and looked at the dried blood under his fingernails, it seemed even longer.

An artist who doesn't read is no artist at all, he had scribbled in a notebook he once tried to keep, but abandoned after a few weeks, sick of his own thoughts. Books are the key to other minds, sure as bodies are the key to other souls. Reading a good book is like sinking your fingers up to the knuckle in someone's brain.

In the world of the story, no one left before it was time. Characters in a book never went away; all you had to do was open the book again and there they'd be, right where you left them. He wished live people were so easy to hold onto.

You could hold onto parts of them, of course; you could even make them part of yourself. That was easy. But to keep a whole person with you forever, to stop just one person from leaving or gradually disintegrating as they alway did...to just hold someone. All of someone.

There might be ways. There had to be ways.

Even in Byzantium, a Lonely One stalked and preyed.

Justin was curled up against the headboard of his bed, a bloodstained comforter bunched around his bare legs. This was his favorite reading spot. He glanced at the nightstand, which held a Black & Decker electric drill, a pair of scissors, a roll of paper towels, and a syringe full of chlorine bleach. The drill wasn't plugged in yet. He closed his eyes and allowed a small slow shudder to run through his body, part dread, part desire.

There were screams carved on the air of his room, vital fluid dried deep within his mattress, whole lives sewn into the lining of his pillow, to be taken out and savored later. There was always time, so long as you didn't let your memories get away. He had kept most of his. In fact, he'd kept seventeen; all but the first two and those he didn't want.

Justin's father had barely seen him out of the womb before disappearing into the seamy nightside of Los Angeles. His mother raised him on the continent's faulty rim, in an edging-toward-poor neighborhood of a city that considered its poor a kind of toxic waste: ceaselessly and unavoidably churned out by progress, hard to store or dispose of, foul-smelling and ugly and dangerous. Their little stucco house was at the edge of a vast slum, and Justin's dreams were peppered with gunfire, his play permeated with the smell of piss and garbage. He was often beaten bloody just for being a scrawny white boy carrying a book. His mother never noticed his hands scraped raw on concrete, or the thin crust of blood that often formed between his oozing nose and mouth by the time he got home.

She had married again and moved to Reno as soon as Justin turned eighteen, as soon as she could turn her painfully awkward son out of the house. You could be a nice-looking boy if you cleaned yourself up. You're smart, you could get a good job and make money. You could have girlfriends, as if looks and money and girlfriends were the sweetest things he could ever dream of.

Her new husband had been a career Army man who looked at Justin the way he looked at their ragged old sofa, as leftover trash from her former life. Now they were both ten years dead, their bones mummified or scattered by animals somewhere in the Nevada desert, in those beautiful blasted lands. Only Justin knew where.

He'd shot his stepfather first, once in the back of the head with his own Army service pistol, just to see the surprise on his mother's face as brain and bone exploded across the glass top of her brand-new dinner table, as her husband's blood dripped into the mashed potatoes and the meat loaf, rained into her sweating glass of iced tea. He though briefly that this surprise was the strongest emotion he had ever seen there. The sweetest, too. Then he'd pointed the gun at it and watched it blossom into chaos.

Justin remembered clearing the table, noticing that one of his mother's eyes had landed in her plate, afloat on a thin patina of blood and grease. He tilted the plate a little and the glistening orb rolled onto the floor. It made a small satisfying squelch beneath the heel of his shoe, a sound he felt more than heard.

No one ever knew he had been out of California. He drove their gas-guzzling luxury sedan into the desert, dumped them and the gun. He returned to L.A. by night, by Greyhound bus, drinking bitter coffee and reading a rest stops,watching the country unspool past his window,the starlit desert and highway and small sleeping towns, the whole wide-open landscape folding around him like an envelope or a concealing hand. He was safe among other human flotsam. No one ever remembered his face. No one considered him capable of anything at all, let alone murder.

After that he worked and read and drank compulsively, did little else for a whole year. He never forgot that he was capable of murder, but he thought he had buried the urge. Then one morning he woke up with a boy strewn across his bed, face and chest battered in, abdomen torn wide open. Justin's hands were still tangled in the glistening purple stew of intestines. From the stains on his skin he could see that he had rubbed them all over his body, maybe rolled in them.

He didn't remember meeting the boy, didn't know how he had killed him or opened his body like a big wet Christmas present, or why. But he kept the body until it started to smell, and then cut off the head, boiled it until the flesh was gone and kept the skull. After that it never stopped again. They had all been boys, all young, thin, and pretty: everything the way Justin liked it. Weapons were too easy, too impersonal, so he drugged them and strangled them. Like Willy Wonka in the technicolor bowels of his chocolate factory, he was the music maker, and he was the dreamer of dreams.

It was a dark and lonely revelry, to be sure. But so was writing; so was painting or learning music. So, he supposed, was all art when you penetrated to its molten core. He didn't know if killing was art, but it was the only creative thing he had ever done.

He got up, slid Dandelion Wine back into its place on his crowded bookshelf, and left the bedroom. He put his favorite CD on shuffle and crossed his small apartment to the kitchenette. A window beside the refrigerator looked out on a brick wall. Frank Sinatra was singing "I've Got You Under My Skin."