"Michael Ende - Momo" - читать интересную книгу автора (Ende Michael) R. R. Donnelley & Sons Company, Harrisonburg, Virginia
Set in Baskerville Except in the United States of America, this book is sold subject to the con-dition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser Twinkle, twinkle, little star. How I wonder what you are! Up above the world so high, Like a diamond in the sky! -- Jane Taylor (1783-1827) PART ONE Momo and Her Friends ONE The Amphitheater Long, long ago, when people spoke languages quite different from our own, many fine, big cities already existed in the sunny lands of the world. There were towering palaces inhabited by kings and emperors; there were broad streets, narrow alleyways and winding lanes; there were sumptuous temples filled with idols of gold and marble; there were busy markets selling wares from all over the world; and there were handsome, spacious squares where people gathered to discuss the latest news and make speeches or listen to them. Last but not least, there were theatres -- or, more properly, amphitheatres. An amphitheater resembled a modern circus, except that it was built entirely of stone. Seats for spectators were arranged in tiers, one above the other, like steps lining the crater of a man-made volcano. Many such buildings were circular, others semicircular, others oval. Some amphitheatres were as big as football stadiums, others could hold no more than a few hundred people. Some were resplendent with columns and statues, others plain and unadorned. Having no roofs, amphitheatres were open to the sky. This was why, in the more luxurious ones, spectators were shielded from the heat of the sun or from sudden downpours by gold-embroidered awnings suspended above their seats. In simple amphitheatres, mats woven of rushes or straw served the same purpose. In short, people made their amphitheatres as simple or luxurious as they could afford -- just as long as they had one, for our ancestors were enthusiastic playgoers. Whenever they saw exciting or amusing incidents acted out on stage, they felt as if these make-believe happenings were more real, in some mysterious way, than their own humdrum lives, and they loved to feast their eyes and ears on this kind of reality. |
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